방정환의 소설 「流帆」 연구- ‘독립’의 서사 전략화 및 항일저항소설로서 문학사적 의의-

Abstract

This study makes a diagnosis of the literary position that「Yoo-bum」(a flowing sail), Bang Jung Hwan's early fiction has. And this study attempts to revalue it.「Yoo-bum」was the only fiction that the first issue of『Gae-byuk』contained. It was also the first work of fiction that was dealt with of students' secret society activities and March First independence movement since the March First movement of 1919. It was published under a pseudonym of 'Moksung’(the shepherd of stars), when the publication was made. So this work did not become well known as Bang Jung Hwan's fiction in the history of general literature. In the mean time,「Yoo-bum」, Bang Jung Hwan's fiction has been studied on the level of 'a love story' several times. But the resistant elements to Japan of this fiction has actually been ignored. In fact, this fiction was equipped with the narrative that internalized March First independence movement. Lots of works have been produced in large quantities since Korea's emancipation. However, the status of the korean literature history of this fiction is unrivaled in terms of nerrativizing those themes in the censorship of Japanese imperialism since the March First movement of 1919. Most of all,「Yoo-bum」was also the only writing that cinematized the word of 'independence' for the polling booth in the middle of going through the whole of the first issue of『Gae-byuk』. Having views on these points, this study analyzes how Bang Jung Hwan internalized his narrative desire of 'Bang Jung Hwan(an intellectual as well as a young man at that time)'s independence' in his fiction「Yoo-bum」. This study analyzes the implied narrative techniques such as the use of jargon, an elliptical talk, time short, omission of the subject to instructions which「Yoo-bum」practically used while it stood against the system of the censorship of Japanese imperialism. And this study illuminates the literary value of「Yoo-bum」as the first anti-Japan fiction resistance since the March First movement of 1919. On discussing these things, this study examines the organic relevance between the preparation process of March First independence movement and Bang Jung Hwan's experiential narrative in terms of a cultural history.