1930년대 후반 동인문학 장의 형성과 세대론의 전개 : 『시인부락』을 중심으로

Abstract

This study focuses on the changes of the literary field in the 1930s and examines the background of the foundation of “Siinburak(The Outsettlement of poets)”. The prototype showing the full-scale aspect of modern Korean poetry was produced through the coterie magazine which appeared in the late 1930s. The 1930s began with the coterie magazine “Simunhakpa”, published by Park Yong-Chul, Kim Young-Rang and marked remarkable growth by the new generation poets Seo Jeong-Joo, Oh Jang-Hwan, and Lee Yong-Ak in the late 1930s. Notably, most of their work was published in the coterie magazine, which is the result of creative activity in other contexts. Therefore, a comprehensive approach to the coterie magazine is needed to understand the literary achievements of the 1930s. In the 1930s, newspaper companies, which had commercial success, competitively launched the literary comprehensive magazine. New poets who appeared through the spring literary contests presented their works only through newspapers and their magazines. However, after the erasure of Japanese National Flag, they lost the media and opportunity to present their work. They had to make their own media to present their work. “Siinburak” is the first coterie magazine to be launched right after the erasure of Japanese National Flag. Unlike traditional coterie magazine, “Siinburak” did not share his own literary intention or collective motivation. The coterie magazine launched after “Siinburak” have the similar character. Therefore, this study examines the direction and meaning of the study about the coterie magazine in the late 1930s, while reviewing the new poets’s articles related to the foundation of “Siinburak”.