Allegory and Language in Koryo Pseudo-biographies
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In this article, I examine Koryŏ pseudo-biographies as allegorical representation of the view of human nature depicted in the Mencius. Kim Ch’ang-nyong has revealed through comparative research that Koryŏ writers consulted anthologies known as lei shu when writing pseudo-biographies. The lei shu is reprinted texts under subject categories such as “wine.” In this article, I will discuss the significance of the theme of “things of the same kind” in lei shu and pseudo-biographies, with reference to Neo-Confucianism, particularly the view of human nature expressed in the Mencius. Moreover, as Pak Hǔi-byŏng has observed, Yi Kyu-bo synthesized Zhuangzi’s perception of oneness with the Way, with Mencius’ belief that our minds are “of a kind” in having the capacity for goodness. The layers of plot were possible through word play such as paranomasia, in which metaphor was used for its literal and metaphorical meaning. This tracing of a metaphor to its source expressed the theme of “inquiry” (yuan) that Han Yu and Yi Ch’ŏm emphasized in their writings in the genre of the “inquiry,” and in the pseudo-biography, with its tracing of representations of a subject in texts.
Abstract
In this article, I examine Koryŏ pseudo-biographies as allegorical representation of the view of human nature depicted in the Mencius. Kim Ch’ang-nyong has revealed through comparative research that Koryŏ writers consulted anthologies known as lei shu when writing pseudo-biographies. The lei shu is reprinted texts under subject categories such as “wine.” In this article, I will discuss the significance of the theme of “things of the same kind” in lei shu and pseudo-biographies, with reference to Neo-Confucianism, particularly the view of human nature expressed in the Mencius. Moreover, as Pak Hǔi-byŏng has observed, Yi Kyu-bo synthesized Zhuangzi’s perception of oneness with the Way, with Mencius’ belief that our minds are “of a kind” in having the capacity for goodness. The layers of plot were possible through word play such as paranomasia, in which metaphor was used for its literal and metaphorical meaning. This tracing of a metaphor to its source expressed the theme of “inquiry” (yuan) that Han Yu and Yi Ch’ŏm emphasized in their writings in the genre of the “inquiry,” and in the pseudo-biography, with its tracing of representations of a subject in texts.
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