음악적 통사론을 위하여: 음악적 발화에서 나타나는 재귀적 구조와 대칭 관계 연구
Towards a Theory of Musical Syntax: Recursion and Symmetry in Musical Utterance
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
이 논문은 재귀성과 대칭성을 토대 개념으로 하는 새로운 음악적 통사론을 제안한다. 일련의 재귀적인 비대칭적 병합 작용을 통해 음악적 구조가 생성되는 방식과, 음들 사이의 비대칭성, 혹은 위계를 결정하는 데 영향을 끼치는 다양하고 때로 상충하는 요인들이 논의될 것이다. 한편, 그러한 비대칭적 관계와 공존하는 대칭적 관계에 대한 탐구와 양자의 역동적 상관성에 대한 성찰도 이루어질 것이다. 필자는 최근 언어학의 최소주의 통사론과 조성음악이론 사이의 접점들에 주목하며, 특히 쉥커 이론이 제공하는 다양한 통찰들을 통사론적 시각으로 재편하는 작업을 통해 음악이론적 담론의 대상이었던 음악적 관계들을 인문학적 맥락에서 새롭게 이해하고자 한다. 또한 현재 영향력 있는 음악통사론 이론인 레르달과 자켄도프의 조성음악 생성이론에 대한 재고와 함께 그들의 영향을 받은 인접학문의 학자들이 제시하는 음악통사론의 문제점에 대한 논의도 이루어질 것이다.
Abstract
This paper proposes a new musical syntax in which the foundational concept is recursion and symmetry. It shows how musical structures are generated through a series of recursive asymmetrical merges, and discusses diverse and sometimes mutually incompatible factors that help to determine the asymmetry or hierarchy between musical objects. It also delves into symmetrical relations that coexist with asymmetrical relations in music, and the dynamic interrelationships between the two kind of musical relations. The paper seizes upon the intersections between the minimalist syntax of current linguistics and tonal theory. Especially through the effort to reimagine various Schenkerian insights from the perspectives of syntax, it seeks to understand musical relationships that have been so far almost exclusively the object of music-theoretical discourses, within the broader context of the humanities. While giving a fresh look at Lerdahl and Jackendoff’s influential theory of tonal syntax, this paper also deals with problems of some recent syntactic theories of music influenced by their theory, especially of those presented by scholars outside music theory.
참고문헌 (57)
- 김창화, "예제로 배우는 C언어 기초" (2005), 한올출판사
- 이남인, "하이데거의 후설 비판과 해석학적 현상학", 철학과 현상학 연구, 8, pp.199~242 (1996)
- 이남인, "현상학과 질적 연구 : 응용현상학의 한 지평" (2014), 한길사
- 이은지, "최소주의의 최근 흐름", pp.103~134 (2005), 한국문화사
- 이홍배, "최소주의 통사론" (2002), 한국문화사
- 임백준, "프로그래밍은 상상이다" (2008), 한빛미디어
- 장영준, "언어학 101" (2014), 한국문화사
- 전웅, "IT 백두대간 C언어 펀더멘탈" (2005), 한빛미디어
- 정은혜, "가다머 「진리와 방법」 2" (2006), 서울대학교 철학사상연구소
- 조숙환, "언어와 인지 이야기" (2013), 한국문화사
- Aldwell, Edward, "Harmony and Voice Leading" (2003), Schirmer
- Asano, Rie, "Syntax in Language and Music: What Is the Right Level of Comparison?", Frontiers in Psychology, 942(6), pp.1~16 (2015)
- Beach, David, "Advanced Schenkerian Analysis : Perspectives on Phrase Rhythm, Motive, and Form" (2012), Routledge
- Bent, Margaret, "Counterpoint, Composition, and Musica Ficta" (2002), Routledge
- Boecks, Cedric, "Linguistic Minimalism : Origins, Concepts, Methods, and Aims" (2006), Oxford University Press
- Caton, Steven C., "Contributions of Roman Jakobson", Annual Review of Anthropology, 16, pp.223~260 (1987)
- Chomsky, Noam, "Evolution and Revolution in Linguistic Theory", pp.51~109 (1995), Georgetown University Press
- Chomsky, Noam, "In Interfaces + Recursion = Language?: Chomsky’s Minimalism and the View from Syntax-Semantics", pp.1~29 (2007), Walter de Gruyter
- Clark, Suzannah, "Analyzing Schubert" (2011), Cambridge University Press
- Cohn, Richard, "Neo-Riemannian Operations, Parsimonious Trichords, and Their “Tonnetz” Representations", Journal of Music Theory, 41(1), pp.1~66 (1997)
- Cohn, Richard, "Audacious Euphony : Chromaticism and the Triad’s Second Nature" (2012), Oxford University Press
- Frath, Pierre, "Language and Recursion", pp.181~191 (2014), Springer
- Forte, Allen, "Introduction to Schenkerian Analysis" (1982), W. W. Norton and Company
- Gadamer, Hans-Georg, "Truth and Method" (1997), Continuum
- Harrison, Daniel, "Pieces of Tradition : An Analysis of Contemporary Tonal Music" (2016), Oxford University Press
- Hauser, Marc D., "The Faculty of Language: What is it, Who has it, and How Did It Evolve?", Science, 298(5598), pp.1569~1579 (2002)
- Hornstein, Norbert, "최소주의 문법의 이해" (2008), 경문사
- Hyer, Brian, "The Cambridge History of Western Music Theory", pp.726~752 (2002), Cambridge University Press
- "The Identity Thesis for Language and Music"[URL]
- Kayne, Richard S, "The Antisymmetry of Syntax" (1995), The MIT Press
- "X-bar Theory in 17th-18th Century Western Tonal Music" (2014)[URL]
- Koelsch, Steffan, "Music-syntactic Processing and Auditory Memory: Similarities and Differences between ERAN and MMN", Psychophysiology, 46, pp.179~190 (2009)
- Koelsch, Steffan, "Language and Music as Cognitive Systems", pp.224~234 (2012), Oxford University Press
- Koelsch, Steffan, "Brain and Music" (2013), Wiley-Blackwell
- Lerdahl, Fred, "A Generative Theory of Tonal Music" (1983), The MIT Press
- Lerdahl, Fred, "Tonal Pitch Space" (2001), Oxford University Press
- Lerdahl, Fred, "Language, Music, and the Brain: A Mysterious Relationship", pp.257~272 (2013), The MIT Press
- Lewin, David, "Music Theory, Phenomenology, and Modes of Perception", Music Perception, 3, pp.4 (1986), 327~392
- London, Justin, "Language and Music as Cognitive Systems", pp.242~247 (2012), Oxford University Press
- Martins, Maurício Dias, "Language and Recursion", pp.15~26 (2014), Springer
- Morgan, Robert, "Becoming Heinrich Schenker : Music Theory and Ideology" (2014), Cambridge University Press
- Moro, Andrea, "Dynamic Antisymmetry" (2000), The MIT Press
- Nattiez, Jean-Jacques, "Music and Discourse: Toward a Semiology of Music" (1990), Princeton University Press
- "Online Etymology Dictionary"[URL]
- Patel, Aniruddh D., "Language and Music as Cognitive Systems" (2012), Oxford University Press
- Pearsall, Edward, "Symmetry and Goal-Directed Motion in Music by Béla Bartók and George Crumb", Tempo, 58, pp.32~39 (2004)
- Rehding, Alexander, "Hugo Riemann and the Birth of Modern Musical Thought" (2009), Cambridge University Press
- Rings, Steven, "Tonality and Transformation" (2011), Oxford University Press
- Rothfarb, Lee, "The Cambridge History of Western Music Theory", pp.927~955 (2002), Cambridge University Press
- Russell, James, "What is Language Development? : Rationalist, Empiricist, and Pragmatist Approaches to the Acquisition of Syntax" (2004), Oxford University Press
- Sauerland, Uli, "Interfaces + Recursion = Language? : Chomsky's Minimalism and the View from Syntax-Semantics" (2007), Walter de Gruyter
- Schachter, Carl, "음악학 문헌 강독", pp.121~165 (2007), 심설당
- Schenker, Heinrich, "Free Composition: Musical Examples" (2001), Pendragon Press
- Swain, Joseph P., "The Concept of Musicl Syntax", The Musical Quarterly, 79(2), pp.281~308 (1995)
- Wagner, Naphtali, "No Crossing Branches? The Overlapping Technique in Schenkerian Analysis", Theory and Practice, 20, pp.149~175 (1995)
- Zbikowski, Lawrence, "Conceptualizing Music : Cognitive Structure, Theory, and Analysis" (2002), Oxford University Press