지아장커 영화에 나타난 데페이즈망(dépaysement) 층위와 영화적 미장아빔( cinematic mise-en-abyme) 의 함의

Abstract

Jia Zhangke’s aesthetics is a surrealistic ‘dépaysement’ and the other axis is a cinematic representation of trans-culturation. The change in China is the dépaysement of traditional culture and western foreign culture. ‘The dépaysement’ of traditional culture and foreign culture is a cinematic way to capture the reality of China. On the other hand, the cinematic mise-en-abyme which creates cinematic meaning through the repetition of traditional culture and authorial style contained in Jia Zhangke’s texts, is the core of his aesthetics. As a surrealistic technique, the truth of China’s presence is traced through the dépaysement and Chinese culture and the cinematic mise-en-abyme of authorial style. The demagnetization technique is related to the activity of Jia Zhangke's experimental film group. It analyzes aethetically the heterogeneity between traditional culture and foreign culture. Through it, it is settled in the frame of change and immutability in China, the decolonization and semanticization of Chinese traditional culture and Western foreign culture. Jia Zhangke’s realism achieves the cinematic representation of the contemporary Chinese reality through the dépaysement. This corresponds with spiritual realism that burns the remnants of the spirit claimed by André Bazin. The changes in China are incorporated into the field of veracity through aesthetic devices. This proves that it is an aesthetic device that coincides with the director's desire to capture Chinese reality and Chinese people through the camera. Chinese culture and the cinematic mise-en-abyme of authorial style is Jia Zhangke’s authorial seal. It is divided into three. The first is the cinematic citation of Chinese culture and other film texts, the second is the dignity of moving cameras and good humans, and the last is the formation of cinematic rhythms through the repetition of characters, music and actions. Such an authorial seal makes Jia Zhangke grow up to be a giant as an original author himself in the weightless landscape of the 6th generation.