지아장커(賈樟柯)의 "스틸 라이프三峡好人"(2006)에 나타난 중국 전통 문화의 함의와 문화 횡단 풍경

Abstract

Jia Zhangke’s <Still Life> (2006) implies the traditional Chinese culture inherent in modern China, which is changing through the space of the Fungee and the movement of the two figures. Cigarette, liquor, tea and candy belonging to the traditional culture dominate the daily life of the Chinese people while at the same time expressing the relationship of the characters in the film and deriving their own meaning. <Still Life>, in which liquor, tea, candy and cigarettes are divided into sub-subjects, expresses the mutual bond and tempered emotions of the characters through the symbolism. In the context of Chinese culture, cigarette is used as a medium of communication and separation. Liquor is accepted in the sense of the meaning of meeting of different people, in solidarity, and in the promise of future hope. The tea implies the continuity and the separation of the two couples with the multi-layers. Candy is a departure ceremony of married couples. Money represents the traditional image of China and reflects the hometown that has left and the present of transformed. <Still Life> is a realistic and multi-layered representation of the present state of China, which is changing due to the coexistence of images of the traditional culture and the foreign culture. The image of Transculturation, in which tradition and outpatient, past and future collide together and form a new culture, results in a realistic image of modern China.