라깡의 ‘두 죽음 사이’와 영화 <곡성>

Abstract

Whereas the classic Hollywood movie's conventional wisdom is to commercialize the psychological pleasures linked to social good, or to commercialize the comfort of the soul, the movie "Geokseong" is a hidden place, while blocking the opportunity to approach the audience with unconsciousness. The film reveals the hidden, welcoming qualities of Sun Ethea. The death impulse is more innocent and fundamental than good will. <Geokseong> is confusing the audience with a new perspective that destroys the notion fixed to the position of the observer or audience in the image. This is because 'target a' that introduces cracks in the symbol system works. It heralds a meeting with the real world. It begins with a story that focuses on much more refined and advanced philosophical self-identity and internal repression in resistance to external oppression. What is the target 'target a' in the fictional space of the movie? Another cinematic fiction surrounding the bait reveals the real evidence of "warmness." "Geokseong" casts two plots and two themes. The symbolism, the real world, and love and hate. As the two axes conflict, they explain the "culture" that is heard between the first and second death due to the appearance of the "blank" ghost. One sign of curvature shows us a place of limitations and possibilities by stopping the chain links on the sign at once. The empire of the language given to the characters does not ban imagination to the outside, but rather enhances its own finiteity in a way that encourages it. Zombies, expressed in the production of the film <Geokseong>, are the places where the main body's anxiety and fear are maximized. It is read as a place where the order of the symbolism is shaken, where the boundary between human and non-human, and life and death is disturbed. Zombies are all about staying in a persistent state of impulse. Zombies have the strongest exposure to the notion of death impulse. There, desire outside the existing knowledge and logic system does not have the current rational language to describe itself. The "Geokseong" in the movie - the community forms a paradoxical community where the word "death" was unimaginable. Such a community is a community that closes its mind from all the prejudices prescribed for human beings, and a community that desires the coming rules, always the new definition of human beings to be created. The film, "Geokseong," projects a love process for unknown possibilities, not love for his given conditions.