임란 직후 존숭의례의 고취 운용 양상

Abstract

When bringing precious things such as royal edict (敎書), investiture book (冊), and royal seal (寶), the processional band, called gochwi (鼓吹), is set up together with the small scale royal emblem (細仗). Compared to the front gochwi (前部鼓吹) accompanied during the king or queen's travels, this band is small scale, so to distinguish it from the front gochwi, it is called sejang gochwi (細仗鼓吹) for convenience's sake. There is an opinion that the sejang gochwi with the small scale emblem only lead in front without playing. To interrogate this, this study examines various cases of gochwi used in the rites for granting an honorific title from the King Seonjo (宣祖) to King Injo (仁祖) era. In reverent rites, when an honorific title is decided, a reverent message (尊號 箋) specifying the title is dedicated first, then a investiture book and royal seal engraved with merit and honorific title, and then a congratulatory message (陳 賀箋) were dedicated. This is how ritual observance was performed. When bringing investiture book, royal seal, reverent message, and congratulatory message, sejang gochwi lead in front. In the rite attended (親臨) by the King Gwanghaegun (光海君) for granting an honorific title of 1621 (13th year of the reign of Gwanghaegun), sejang gochwi played and lead in front when bringing the investiture book, royal seal and message, the gochwi located behind the hall (殿後鼓吹) played when the king traveled between the Inner Court (內殿) and Main Throne Hall (正殿), and heonga (軒架, orchestra-on-the ground) played music when the king ascended and descended on the throne and when royal family (宗親), civil and military officials (文武百官) bowed down to the king. However, in the rite for granting an honorific title for the King Seonjo (宣祖), which was performed as a royal ritual without the protagonist (權停禮) in 1604 (37th year of the reign of King Seonjo), sejang gochwi was arranged without playing music playing (陳而不作), but the gochwi located behind the hall and heonga were not arranged. In the rite attended by the Queen Inmok (仁穆王后) for granting an honorific title of 1624 (2nd year of King Injo), sejang gochwi played and lead in front, when bringing the investiture book, royal seal and message. In the rite for granting an honorific title for the wife of Gwanghaegun, which was performed as a royal ritual without the protagonist in 1621 (13th year of the reign of King Gwanghaegun), sejang gochwi was arranged without playing music. In the posthumous rite for granting an honorific title for the mother of Gwanghaegun (光海君 私親) of 1610 (2nd year of the reign of King Gwanghaegun), when bringing old memorial tablets (神主) and the investiture book, royal seal to Bongjajeon (奉慈殿) from the private shrine (私廟), the front gochwi and sejang gochwi played, respectively. In posthumous rites for granting an honorific title for Seonjo (宣祖), Queen Uiin (懿仁王后) and Queen Gongseong (恭聖王后) of 1621 (13th year of Gwanghaegun) as well, when going to the royal shrine (宗廟) to bring the investiture book, royal seal, sejang gochwi played and lead in front. Meanwhile, in 1621, a posthumous reverent rite for granting an honorific title (追崇儀禮) was finished and then a sacrificial rite (宗廟祭禮) was held at the royal shrine, since the king underwent the rite of being purified (齋戒), heonga was arranged in Injeongjeon (仁政殿), the front and rear gochwi were arranged but music was not played. When returning to the palace after posthumous reverent rite for granting an honorific title and sacrificial rite, the band played. In conclusion, it is general that when bringing the investiture book, royal seal, message, sejang gochwi lead in front and played music. In the case of royal rituals without the protagonist, sejang gochwi was arranged without playing music.