왕대비 加上尊號儀의 의례와 음악 -정조대(1776∼1800) 『尊號都監儀軌』를 중심으로-

Abstract

The eulogistic posthumous title ceremony 尊號 儀禮, along with court banquet 宴享, congratula- tory ceremony 嘉禮, is to present a beautiful title that represents good deeds as a way of expressing delight. In the reign of King Chŏngjo 正祖 (1776∼1800), the eulogistic title was presented to the queen mother, King Yŏngjo’s subsequent queen (Chŏngsun Queen 貞純王后) five times. The eulogistic title ceremony presented to the king or queen who is living is composed roughly three procedures: naeip 內入, a procedure that when ch'aek 冊 and po 寶 (royal seal where royal good deeds were inscribed) are completed, minister in the eulogistic title authorities enshrines chaekpo in a small palanquin and carry it into the main palace; ch'injin 親進, a procedure that the king himself presents ch'aek and po to the queen mother in the main palace through sangjŏn 尙傳, a senior court lady; and tokch'aekpo 讀冊寶, a procedure that when minister and sangjŏn, a senior court lady enshrine ch'aek and po in a small palanquin and carry them into the queen mother’s palace, the senior court lady reads ch'aekpo. First, focusing on the ceremony in 1795 (the 19th year of King Chŏngjo), music of add edeulogistic title for queen mother was to have chŏnbu koch'wi 前部鼓吹 (front marching band) play music when ch'aekpo were carried into them ainpalace from the eulogistic title authorities. On the day of ceremony, when the king went to the main palace to perform ch'injin, chŏnhu koch'wi 殿後鼓吹 (rear courtyard band) played music and when ch'injin ceremony was under way in the main palace, court musicians played music on the music platform installed in the palace grounds. While ch'aekpo were enshrined in a small palanquin and carried into the queen mother’s palace after finishing the ch'injin procedure, chŏnbu koch'wi played music, and when the king returned to the private palace, chŏnhu koch'wi played music. However, male musicians could not enter the queen mother’s palace where ch'aekpo reading ceremony was performed, so music was not played. When comparing the music on the remaining four occasions with the case in 1795, music was played naeip ceremony and ch'injin ceremony in 1783 (the 7th year of King Chŏngjo) and in 1784 (the 8th year of King Chŏngjo)as in 1795, but music was not played in 1778 (the 2nd year of King Chŏngjo) and 1787 (the 11th year of King Chŏngjo) due to state funeral. In the case of ch'aekpo reading ceremony, music was played only in 1784 (the 8th year of King Chŏngjo) and it was because blind court musicians 瞽師 instead of male court musicians were allowed to play music. Thus it is essential to know the historical backdrop at that time in order to understand the music culture of the Chosŏn Dynasty.