반복구조에 의한 현대 텍스타일 아트의 조형 해석

Abstract

The patterns of repetitive structures of contemporary art appear in expressive forms including Minimal art (based on repetitive arrangements as the formative concept restricted), Pop art (based on repetitive arrangements as a mass­produced image), and Op art (based on repetitive configurations for visual effects). The repetitive structure is not an external factor arranged only for the exhibit of works, but an energetic factor to bring about the meaning for itself, and it is related to the expressive aspects of contemporary art in the 21st century. Modern philosophy points out a new meaning is not created by standardized repetition to stress an equality, but by distinguished repetition. Gilles Deleuze defined ‘intensity’as the meaning of power to maintain the specialty impossible of returning to permanent structure and order and explained the change of intensity. Formatively applying it, the structure of repetition with a difference can be explained as a creation to bring about the expansion of a new meaning, namely, ‘intensity’ and simply not as parts, that is, the sum of units. Meanwhile, formative psychologists revealed that people prefer a comprehensive pattern to individual factors based on Gestalt psychology when recognizing formative images. As the structure of repetitive modeling is not the sum of separated pieces, but synthetic images, to bring about the synergistic effect of a visual meaning in the course of unification. Like this, units to form contemporary art create totality as synthetic images of repetitive units and the effect of emphasis by repetition with the explanation as intensity to have the specialty, independent individuality. Together, in the 21st century, the existing fields of Fiber art․Formative fiber․Fiber design․Textile design break from the classical cognition that kept material distinct handicrafts, fine art, design, and so on, and suggest convergence situation in contemporaneity. Moreover, in formative aspects, with fundamentally preceding understandings for fiber material, Textile art does not stay only technical study about crafts or handicrafts, but does keep the context that try to viewpoint and interpretation with creative action of contemporary art. In the structures and expressive aspects, beyond the repetitive technique, Textile art as a contemporary concept, have many cases that expressed with the repetitive structures of units. It proves that placed to contemporary art, that is, structures or forms are accompanied with contents. In other words, it is difficult to separate forms from the meaning of that in contemporary Textile art like in contemporary art, and it values mutual relation with contents in terms of choosing techniques and the property of matter. In this thesis, I proved contemporary Textile art as a contemporary art through the analysis of works which are produced by the textile artists inside and outside of the country who interpret the structures of texture and properties of matter of fabric by repetitive structures and its’meanings.