저예산 독립영화 제작을 위한 현장녹음 연구-DSLR 필름메이커를 중심으로-
Study on Location Sound for Independent Filmmakers -Focus on DSLR Filmmakers-
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초록
A DSLR camera shooting and a digital workflows are now common in a film industry. For most filmmakers, it is easy to access the information about digital camera techniques through various sources. They can have more than enough knowledge to get the best imagery for their films. However, the sound techniques for film production still remain of secondary importance and filmmakers or sound designers face unwanted problems caused by insufficient knowledge and information. This causes unnecessary money and time spending for both independent filmmakers with a low budget and commercial ones with a bid budget and professional staffs. And moreover, it hurts the results of the final outcome. This thesis focuses on achieving the best possible quality of production sound, especially for improving location sound techniques for DSLR cameras. Firstly, it discusses the reason of the importance of location sound especially for independent and low budget filmmakers. Secondly, it reviews the distinctive features of DSLR cameras, the basic sound capturing rules and the useful skills for microphones. And thirdly, it suggests several alternative approaches to prevent crucial mistakes and save time and budget.
Abstract
A DSLR camera shooting and a digital workflows are now common in a film industry. For most filmmakers, it is easy to access the information about digital camera techniques through various sources. They can have more than enough knowledge to get the best imagery for their films. However, the sound techniques for film production still remain of secondary importance and filmmakers or sound designers face unwanted problems caused by insufficient knowledge and information. This causes unnecessary money and time spending for both independent filmmakers with a low budget and commercial ones with a bid budget and professional staffs. And moreover, it hurts the results of the final outcome. This thesis focuses on achieving the best possible quality of production sound, especially for improving location sound techniques for DSLR cameras. Firstly, it discusses the reason of the importance of location sound especially for independent and low budget filmmakers. Secondly, it reviews the distinctive features of DSLR cameras, the basic sound capturing rules and the useful skills for microphones. And thirdly, it suggests several alternative approaches to prevent crucial mistakes and save time and budget.
참고문헌 (11)
- 유순미, "아이폰 영화만들기" (2011), 영진닷컴
- 주흥종, "보이는 DSLR 시네마 핸드북", 영화진흥위원회, ~ (2014)
- Ric Viers, "The Location Sound Bible–How to Record Professional Dialog for Film and TV", Michael Wiese Productions, ~ (2012)
- David Lewis, "Practical Art of Motion Picture Sound" (2012), Focal Press
- David Sonnenschein, "Sound Design", Michael Wiese Productions, ~ (2001)
- David E. Reese, "Audio Production Worktext" (2009), Focal Press
- Jay Rose, "Producing Great Sound for Film & Video" (2015), Focal Press
- Barry Andersson, "The DSLR Filmmaker’s Handbook" (2012), John Wiley & Sons, Inc.
- "Linear PCM Recorder for DSLR DR-70D" (2015)[URL]
