새로운 극영화 장르로서 ‘민족지성영화’(Ethnographicness Film)에 대한 제언
A Suggestion on ‘Ethnographicness Film’ as a New Fiction Genre
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Anthropological filmmaking helps to make the meaning and function of Ethnographic film communicate to audience. We remembered a documentary film, <Nanook of the North> directed by Robert Flaherty. This ethnographic film was a good film to tell the story which shows native life and exotic atmosphere till 1930. The new style of ethnographic film appeared in 1960 at France. The first of cinema verite was known by <Chronicle of a Summer> made by Jean Rousch and Edgar Morin. They try to introduce new recording technology and participate to filmmaking with prudence by producer. As the result they can make ture ethnographic film which influences to international film director like Truffauo and Godard‘s fiction film. In Korea Lee, Mungwoong who introduce a ethnographic film ask what is ethnographic film? He answered that ethnographic film requires for cinematography and ethnography to meet over the technic combination. The ethnographic film shows to interpreter all things about recording through the all course of filmmmaking in frame work. In this thesis I will discuss a ethnographicness film as a new fiction genre through I introduce and discuss on the method of making <The children of Sanzes and <The fly of dung>. I study a ethnographicness film as a new fiction genre. Firstly I hope appearing the new Korean film to contribute keeping Korean identity. Secondly I pursue the identity theory of Korean film aesthetics based on the preceding western sysmetical film theory. Lastly I expect that the ethnographicness film will restore Korean identity film aesthetics which shows our true customs and thought through Korean film culture. I expect that this study will be contributed to make Korean film for keeping the identity of Korean film culture.
Abstract
Anthropological filmmaking helps to make the meaning and function of Ethnographic film communicate to audience. We remembered a documentary film, <Nanook of the North> directed by Robert Flaherty. This ethnographic film was a good film to tell the story which shows native life and exotic atmosphere till 1930. The new style of ethnographic film appeared in 1960 at France. The first of cinema verite was known by <Chronicle of a Summer> made by Jean Rousch and Edgar Morin. They try to introduce new recording technology and participate to filmmaking with prudence by producer. As the result they can make ture ethnographic film which influences to international film director like Truffauo and Godard‘s fiction film. In Korea Lee, Mungwoong who introduce a ethnographic film ask what is ethnographic film? He answered that ethnographic film requires for cinematography and ethnography to meet over the technic combination. The ethnographic film shows to interpreter all things about recording through the all course of filmmmaking in frame work. In this thesis I will discuss a ethnographicness film as a new fiction genre through I introduce and discuss on the method of making <The children of Sanzes and <The fly of dung>. I study a ethnographicness film as a new fiction genre. Firstly I hope appearing the new Korean film to contribute keeping Korean identity. Secondly I pursue the identity theory of Korean film aesthetics based on the preceding western sysmetical film theory. Lastly I expect that the ethnographicness film will restore Korean identity film aesthetics which shows our true customs and thought through Korean film culture. I expect that this study will be contributed to make Korean film for keeping the identity of Korean film culture.
참고문헌 (17)
- 김수남, "영화예술입문" (2001), 새미
- 오스카 루이스, "산체스네 아이들, 상하" (1978), 청년사
- 전평국, "영상 다큐멘타리론" (1994), 나남
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- Sadol,Georgy, "Dictionary of Film Maker" (1972), Berkly University of California Press
- 김수남, "한국 가족 이야기 영화가 추구하는 한국영화문화의 정체성 논의", 청대학술논집, 12 (2008), 청주대학교
- 김수남, "<똥파리>에 나타난 민족지성(Ethnographicness) 고찰", 영화연구, (45), pp.59~78 (2010), 한국영화학회
- 양익준, "똥파리", 양익준 작품, 감독, 연기, 130분, 칼라, 한국, 몰필름, ~ (2008)
- 로버트 플래허티, "북극의 나누크(Nanook of the North)", 로버트 조지프 플래어티 감독, 79분, 흑백 무성, 미국, ~ (1922)
- 하셀 바트레트, "산체스의 아이들(The Children of Sanchez)", 하셀 바트레트, 제작, 각색, 감독, 90분, 칼라, 멕시코, ~ (1978)
- 로버트 플래허티, "아란의 사나이(Man of Aran)", 로버트 플래허티 감독, 73분, 흑백, 영국, ~ (1934)
- 장 로슈, "여름의 연대기(Chronicle of a Summer)", 장 로슈, 에드가 모랭 감독, 73분, 흑백, 프랑스, ~ (1960)