영상의 화면비 변화에 따른 인식 변화 분석 -스탠다드부터 스크린-X까지-
Analysis of Perception Changes according to the Changing Video Aspect Ratio -From the Standard Screen to Screen-X-
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초록
This study set out to demonstrate that video aspect ratio started to change for technological reasons, was gradually influenced by aesthetic reasons for its changes, and had effects on the audience’s perceptions. There have long been attempts at film aspect ratio in various ways, and the biggest reason behind them was to differentiate film from other media including TV. The changes to the aspect ratio from the aesthetic perspective faced failure after failure and finally achieved technological completeness during the transition from film to digital. The present study analyzed actual scenes shot in movies with various examples of aspect ratio and investigated the reasons behind changes to aspect ratio and the ways it could be perceived by the audience. The aspect ratio has been increasingly wider in recent movies compared with early movies, and the reasons were examined based on the differentiation of aspect ratio between film and TV. An approach was made to the reasons behind its changes through case study. The study also discussed whether the aspect ratio changes could be another choice in the viewpoint of direction in addition to the technological one. The findings will help directors make use of aspect ratio as another method of direction.
Abstract
This study set out to demonstrate that video aspect ratio started to change for technological reasons, was gradually influenced by aesthetic reasons for its changes, and had effects on the audience’s perceptions. There have long been attempts at film aspect ratio in various ways, and the biggest reason behind them was to differentiate film from other media including TV. The changes to the aspect ratio from the aesthetic perspective faced failure after failure and finally achieved technological completeness during the transition from film to digital. The present study analyzed actual scenes shot in movies with various examples of aspect ratio and investigated the reasons behind changes to aspect ratio and the ways it could be perceived by the audience. The aspect ratio has been increasingly wider in recent movies compared with early movies, and the reasons were examined based on the differentiation of aspect ratio between film and TV. An approach was made to the reasons behind its changes through case study. The study also discussed whether the aspect ratio changes could be another choice in the viewpoint of direction in addition to the technological one. The findings will help directors make use of aspect ratio as another method of direction.
참고문헌 (13)
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- Steven D. Katz, "영화연출론" (1998), 시공사
- Marita Sturken, "영상문화의 이해" (2013)
- James L. Limbacher, "Four aspects of the film" (1968), Brussel & Brussel
- 양영철, "영화이미지를 향한 응시", 영화연구, (45), pp.185~202 (2010), 한국영화학회
- 이자혜, "다큐멘터리에서의 외화면 활용을 통한 리얼리즘의 구현", 한국콘텐츠학회 논문지, 10(1), pp.230~238 (2010), 한국콘텐츠학회
- 이호은, "텔레비전광고의 화면분할영상에 따른 수용자의 태도 연구", 언론과학연구, 5(3), pp.548~580 (2005), 한국지역언론학회
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- 정찬철, "할리우드와 한국의 시네마스코프 영화의 몰입적 스토리텔링 비교분석", 한국예술연구, (17), pp.57~82 (2017), 한국예술연구소[DOI]
- 왕진홍, "외화면 공간과 인지심리에 관한 연구", 멀티미디어학회논문지, 13(2), pp.341~347 (2010), 한국멀티미디어학회
