크리스 마커의 <태양 없이>에 드러난 시간과 기억의 표현방법 연구
A Study on the Expression Method of Time and Memory Appeared in <Sans Soleil> by Chris Marker
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The purpose of this dissertation is to study some methods to express the time and remembrance that appear in Chris Marker ’ s documentary work, <Sans Soleil>. Marker ’ s <Sans Soleil> brings snippets of past, present and future images together from memory, leaving the story open-ended. Marker created this work as if he had written a poem, expressing an image of the reality and remembrance in the documentary. For him, any form of remembrance can remain. Memory is something that should remain forever, rather than disappear after a moment. He attempted to express the time and remembrance that surpass the past-present-future, using black leader, freeze frames and Simultaneity of the Non-simultaneous. This is Marker ’ s argument about the time and remembrance that appear in the whole of the movie <Sans Soleil> and is an expression of images surpassing the world of space and time that a collective remembrance has. Through this film, Marker showed that all images can be transformed and through this process they can remain as memory. From this study, I claim that the memory of people is recreated as a new image and concluded that they are located in collective memories beyond their past and present.
Abstract
The purpose of this dissertation is to study some methods to express the time and remembrance that appear in Chris Marker ’ s documentary work, <Sans Soleil>. Marker ’ s <Sans Soleil> brings snippets of past, present and future images together from memory, leaving the story open-ended. Marker created this work as if he had written a poem, expressing an image of the reality and remembrance in the documentary. For him, any form of remembrance can remain. Memory is something that should remain forever, rather than disappear after a moment. He attempted to express the time and remembrance that surpass the past-present-future, using black leader, freeze frames and Simultaneity of the Non-simultaneous. This is Marker ’ s argument about the time and remembrance that appear in the whole of the movie <Sans Soleil> and is an expression of images surpassing the world of space and time that a collective remembrance has. Through this film, Marker showed that all images can be transformed and through this process they can remain as memory. From this study, I claim that the memory of people is recreated as a new image and concluded that they are located in collective memories beyond their past and present.
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