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메소드 영화연기의 역사와 방법론 연구

A Study on the History and Methodology of the Method Film Acting.

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참고문헌

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초록

Modern film acting started in the 1960s. Classical hollywood acting before the 1960s and New American Cinema after the 1960s have shown significant qualitative differences, as the acting style of internal realism has been introduced. The new American Method Acting presented by Marlon Brando and James Dean in the late 1950s, Dennis Hopper, Warren Beatty, Dustin Hoffman, Robert De Niro and Al Pacino in the 1960s can be seen as the beginning of modern film acting. Their realism performance was a successful Americanization of the System of Acting, advocated by Stanislavsky of Russia. In the 1930s, the American Lavatory Theater was the first theater company to Americanize Russian-style system acting and an actor's educational institution. The Method was conceptualized by Lee Strasberg, Stella Adler, and Sanford Meisner, who developed American Method Film Acting by strengthening the actor's concentration and using emotional training and improvisation as the basis for film acting.

Abstract

Modern film acting started in the 1960s. Classical hollywood acting before the 1960s and New American Cinema after the 1960s have shown significant qualitative differences, as the acting style of internal realism has been introduced. The new American Method Acting presented by Marlon Brando and James Dean in the late 1950s, Dennis Hopper, Warren Beatty, Dustin Hoffman, Robert De Niro and Al Pacino in the 1960s can be seen as the beginning of modern film acting. Their realism performance was a successful Americanization of the System of Acting, advocated by Stanislavsky of Russia. In the 1930s, the American Lavatory Theater was the first theater company to Americanize Russian-style system acting and an actor's educational institution. The Method was conceptualized by Lee Strasberg, Stella Adler, and Sanford Meisner, who developed American Method Film Acting by strengthening the actor's concentration and using emotional training and improvisation as the basis for film acting.

참고문헌 (17)

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  3. 송낙원, "포스트 할리우드" (2007), 커뮤니케이션북스
  4. 이현재, "미국 독립영화" (2017), 커뮤니케이션북스
  5. 정인숙, "아메리칸 액팅 메소드의 이해" (2014), 연극과인간
  6. Barr, T., "Acting for the Camera" (1997), Harper Paperbooks
  7. Brestoff, R., "The Great Acting Teachers and Their Methods" (1995), A Smith and Kraus Book
  8. Carney, R., "The film of John Cassavetes" (1994), Cambridge University Press
  9. Stanislavski, C., "My Life in Art" (1987), Routledge
  10. Strasberg, L., "A Dream of Passion : The Development of the Method" (1988), Plume
  11. Tucker, P., "The Secrets of Screen Acting" (2003), Routledge
  12. Vineberg, S., "Method Actors : Three Generations of an American Acting Style" (1991), Macmillan
  13. Wojcik, P. R., "Movie Acting: The Film Reader" (2004), Routledge
  14. 박서연, "영화연기에서 카메라 프레임과 렌즈와 스피드의 미학적 특성 연구", 연기예술연구, 17(1), pp.1~16 (2020), 한국연기예술학회[DOI]
  15. 송낙원, "아메리칸 메소드 연기의 기원과 발전", 영상기술연구, 1(22), pp.25~48 (2015), 한국영상제작기술학회[DOI]
  16. Bruce McConachie, "Method Acting and the Cold War", Theatre Survey, 41(1), pp.47~68 (2000), Cambridge University Press (CUP)[DOI]
  17. Quinn, M. L., "Self-Reliance and Ritual Renewal : Anti-theatrical Ideology in American Method Acting", Journal of Dramatic Theory and Criticism, X(1) (1995)

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