아메리칸 메소드 연기의 기원과 발전
The Origin and Development of American Method Acting
0
조회
0
다운로드
8
인용
0
참고문헌
키워드
초록
In 1923 Bolesavsky and Ouspenskaya, who learned The Stanislavsky System of Acting from Stanislavsky in Russia, established American Laboratory Theatre due to the popularity of Russian Realism play in America. American Laboratory Theatre was the first theatre and the first acting institute which amricanized Russian System of Acting in 1920’s. Lee Strasberg and Stella Adler who seek new acting joined the theatre. In 1931, these American actors founded Group Theatre, which became the center of American theatrical world by americanizing Stanislavsky’s Russian system and changing paradigm of teaching acting. In Group Theatre Strasberg used the concept of Method instead of System. He trained to intense concentration, made use of improvisation, and emphasized emotional memory as the most important acting technique. Sanford Meisner and Elia Kazan joined Group Theatre after that. However, Stella Adler who learned acting from workshop with Stanislavsky in his latter years introduced Post-System of Stanislavsky, which enabled to balance between internal and external aspect of an actor. Furthermore, Sanford advocated his own Method Acting. Elia Kazan established Actors Studio with Strasberg. In 1940, Group Theatre was discharged and the members went their separate ways. They achieved what Moscow Art Theatre did in Russia in 1920’s in America in 1930’s. Moreover, actors who learned acting from them changed acting style in film in Hollywood after 1950’s. New American Method Acting which was shown by Marlon Brando and James Dean in 1950’s and Dennis Hopper, Robert De Niro, and Al Pacino in 1960’s has started modern acting in film. Their realism acting successfully americanized System of Acting started from Stanislavsky in Russia.
Abstract
In 1923 Bolesavsky and Ouspenskaya, who learned The Stanislavsky System of Acting from Stanislavsky in Russia, established American Laboratory Theatre due to the popularity of Russian Realism play in America. American Laboratory Theatre was the first theatre and the first acting institute which amricanized Russian System of Acting in 1920’s. Lee Strasberg and Stella Adler who seek new acting joined the theatre. In 1931, these American actors founded Group Theatre, which became the center of American theatrical world by americanizing Stanislavsky’s Russian system and changing paradigm of teaching acting. In Group Theatre Strasberg used the concept of Method instead of System. He trained to intense concentration, made use of improvisation, and emphasized emotional memory as the most important acting technique. Sanford Meisner and Elia Kazan joined Group Theatre after that. However, Stella Adler who learned acting from workshop with Stanislavsky in his latter years introduced Post-System of Stanislavsky, which enabled to balance between internal and external aspect of an actor. Furthermore, Sanford advocated his own Method Acting. Elia Kazan established Actors Studio with Strasberg. In 1940, Group Theatre was discharged and the members went their separate ways. They achieved what Moscow Art Theatre did in Russia in 1920’s in America in 1930’s. Moreover, actors who learned acting from them changed acting style in film in Hollywood after 1950’s. New American Method Acting which was shown by Marlon Brando and James Dean in 1950’s and Dennis Hopper, Robert De Niro, and Al Pacino in 1960’s has started modern acting in film. Their realism acting successfully americanized System of Acting started from Stanislavsky in Russia.
참고문헌 (19)
- 김석만, "스타니슬랍스키 연극론" (1993), 이론과 실천
- 송낙원, "오디션 연기와 모놀로그" (2014), 커뮤니케이션북스
- 정인숙, "아메리칸 액팅 메소드의 이해" (2014), 연극과인간
- Adler, S., "The Art of Acting" (2000), Applause Theatre & Cinema Books
- Boleslavsky, R., "Acting : The First Six Lessons" (1933), Theatre Arts Books
- Brestoff, R., "The Great Acting Teachers and Their Methods" (1995), A Smith and Kraus Book
- Easty, E. D., "On Method Acting" (1989), Ivy Books
- Kazan, E., "Kazan on Directing" (2010), Vintage
- Meisner, S., "Sanford Meisner on Acting" (1987), Vintage
- O’Brien, M. E., "영화 연기" (2003), 연극과인간
- Stanislavski, C., "나의 예술 인생" (2012), 책숲
- Strasberg, L., "A Dream of Passion: The Development of the Method" (1988), Plume
- Tucker, P., "스크린 연기의 비밀" (2013), 시공사
- Weston, J., "감독을 위한 영화 연기 연출법" (2012), 비즈앤비즈
- 박서연, "오디션 연기의 미학과 방법론 연구", 영화연구, (59), pp.127~156 (2014), 한국영화학회
- 오윤홍, "영화연기의 사실성(事實性)에 관한 연구-영화 <돼지가 우물에 빠진 날>을 중심으로-", 영화연구, (58), pp.231~259 (2013), 한국영화학회
- 조성덕, "영화연기 고유성 측면에서 바라본할리우드 메소드 연기의 반작용", 영화연구, (55), pp.519~542 (2013), 한국영화학회
- 조성덕, "후기 메소드 영화연기 훈련기술을 응용한 영상연기 훈련법 -마이스너와 애들러 연기론의 고찰 및 융합 가능성 중심으로-", 영상기술연구, 1(18), pp.63~80 (2013), 한국영상제작기술학회
- 윤용아, "Modification of the Method for Screen Acting Considering Korean Sense and Sensibility", 영상기술연구, 1(21), pp.192~201 (2014), 한국영상제작기술학회
