<黃鷄詞>의 연원

In this thesis, I studied on the literary and musical origin of Hwanggyesa(黃鷄詞). The lyrics of Hwanggyesa(黃鷄詞) include various phrases which originated from a number of separate songs. Among the various phrases in this song, about six phrases turn up in many different version, and three of them originated from Goryeogayo(高麗歌謠). In addition 'synthesization', the compositional method of this song and the chorus which don't match the lyrical meaning of this song are also the characteristics of some works of Goryeogayo(高麗歌謠). Hwanggyesa(黃鷄詞) is closely related to Goryeogayo(高麗歌謠) musically too. Hwanggyesa(黃鷄詞) is similar to Cheongsanbyeolgok(靑山別曲) in various musical aspects such as the periodic structure, the rhythm of the janggu drum, the scale and the melody. The music of Cheongsanbyeolgok(靑山別曲), like that of Hwanggyesa (黃鷄詞), is believed to have the periodic structure that is a way of singing by which we sing several different stanzas to one melody repeatedly. The janggu rhythm of Cheongsanbyeolgok(靑山別曲) can be changed to the form similar to that of Hwanggyesa(黃鷄詞) through appropriate adjustments of some musical elements on the scores. The score of Hwanggyesa(黃鷄詞) corresponds exactly with that of Cheongsanbyeolgok(靑山別曲) and the melodies of the one and the other are too much alike in the majority of the score. Through these various facts, we can learn that Hwanggyesa(黃鷄詞) succeeded to Goryeogayo(高麗歌謠) in the literary and musical sides all.