김기진의 유물론 미학 구성과 관념론의 영향

Abstract

In the first half of the 1920's, Kim Gi-Jin sought to understand newly the art on Materialistic perspective. Kim Gi-jin accepted the idea of Marxist theory, "the Foundation shall determine the superstructure." But his materialism has included elements of ideology, For example, the soul, the life, and the instinct. In his theory, the elements of ideology changed his materialism creatively and plentiful. First of all, He made use of the hegelian's idea, "Consciousness and matter is inverted.", when discussing the social foundation. He thought that To understand the complex social perspective had to be challenged to the simple point of view. But Since he had to fix this. He understood that he should consider the human instinct, in order for a social revolution. Also he took advantage of the elements of ideology, in order to criticize capitalist society. He was thinking that Capitalist culture made people like a machine. In Capitalist culture, he believed that people changed into the machine, not the soul machine. So Kim Gi-jin was thinking that the Socialist culture and art should the giving roles to the soul to the people. The soul here means as "vitality, life". In the first half of the 1920's, In his theory, the elements of ideology had a role that describes the essence of art, art feature, and the nature of society. In that respect, he had culture-liberal tendency. As a cultural socialist, he have formed in abundance the aesthetic theory of existence, in the first half of the 1920's in Korea.