탈식민지 시기(1945~1950) 삼팔선 표상의 지정학적 상상력 －해방 후 이태준 소설을 중심으로

Abstract

Lee Tae－jun’s literature after liberation needs to be considered with the reading of compound eyes in ‘continuity and discontinuity’ with the literature in colonial period. Lee Tae－jun after liberation made it single line as racial identity for imperial identity, which had been possessed by literature in the colonial period. A Moonlight Night of an Ideology(思想의月夜) , which was changed into narration of racialism through an adaptation of an end in a piece of work, which uttered scientific ideology that had been the national policy in new－system period, and Phoenix(不死鳥), which is changing it into the racially gender narration based on the narrative model in 「The Holy Mother」 taht is a piece of work in the colonial period, are cases that show combination in the past narrative model and the new political consciousness. Also, Farmland(農土), which combines anti－modern and spiritual attitude toward ‘farmland’ with socialistic reform, can be said to be a case of showing how the anti－modern attitude, which had been proposed with having the core as ‘antique’ and ‘farmland’ in colonial period, can change into anti－capitalistic political consciousness and can connect with socialism. What was paid attention in this writing by having ideal as a proposition is a fact that the Lee Tae－jun’s novels after liberation show politics of a place that forms the 38 parallel as the imaginary topography by corresponding to the process that South－North Korea had been established segmentally with having boundary as the 38 parallel, which was drawn the convenience line of occupation in partition of America and Soviet Union. In Before and After Liberation(解放前後) that shows the global recognition up until right before crossing over North Korea in July of 1946 from right after liberation, ‘Hyeon’ was vaguely perceiving a risk of ‘the 38 parallel’ while grasping the world multi－functionally and realistically. In Farmland(農土) of standing for the second period that is established the independent government in South and North Korea from after crossing over the border into North Korea is being revealed the aspect of carrying on while making it the totality for the north of the 38th parallel, which was formed in the cold－war bloc called North Korea－Soviet Union. In Dust(먼지) of being developed the period right before the establishment in independent government of South and North Korea as the narrative sight after South and North Korea was formally established and after division was confirmed, it is causing a crack in value consciousness, which had been shown in Farmland, by being skeptical about absolute support, which had shown for North Korea until before. In a novel during the period of Korean war after then, the recognition of bloc in ‘US－Japan－South Korea’ and ‘Soviet Union－China－North Korea’ is strongly positioned. Trifling articles, which suggest ‘US army’ as symbol of evil, are created. Now, the 38 parallel was firmly materialized as the border of South and North Korea and as the bloc line of cold war.