호랑이의 문학적ㆍ조형적 형상화 - 서사와 회화를 중심으로 -
A Study on the Literary and Formative Expression of Korean Tigers
1
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
Because the Siberian tigers inhabit in Manchuria and the Korean Peninsula, the Korean race expressed the tigers in the literature and paintings. The tigers were changed from the natural existence to the cultural being by the religious mentality, humanistic thinking and imaginative power. The Korean race hunted the tigers and expressed the tiger hunting in the narrative and painting. They deified the tigers and expressed those in the literature and painting. Then the tiger gods were changed from the god of fear to the god of mercy. The Korean race personified the tigers and expressed those in the literature and painting. They projected the positive and negative personalities on the tigers. And then they expressed those in the literature and painting. The upper class projected the positive personalities and created the sublime beauty. But the middle and lower classes projected the negative personalities and created the comic beauty.
Abstract
Because the Siberian tigers inhabit in Manchuria and the Korean Peninsula, the Korean race expressed the tigers in the literature and paintings. The tigers were changed from the natural existence to the cultural being by the religious mentality, humanistic thinking and imaginative power. The Korean race hunted the tigers and expressed the tiger hunting in the narrative and painting. They deified the tigers and expressed those in the literature and painting. Then the tiger gods were changed from the god of fear to the god of mercy. The Korean race personified the tigers and expressed those in the literature and painting. They projected the positive and negative personalities on the tigers. And then they expressed those in the literature and painting. The upper class projected the positive personalities and created the sublime beauty. But the middle and lower classes projected the negative personalities and created the comic beauty.
참고문헌 (19)
- 김원, "자랑스러운 울산을 연다 (중)" (2002), 처용출판사
- 김현주, "호랑이 소재 民譚과 民畵의 유형 분류와 무의식 분석", 구비문학연구, (19), pp.57~85 (2004), 한국구비문학회
- 김호근, "한국호랑이" (1986), 열화당
- 박진태, "탈놀이의 기원과 구조" (1991), 새문사
- 박진태, "호랑이의 예술적 표현-공연적·조형적 표현의 경우-", 공연문화연구, 0(17), pp.163~187 (2008), 한국공연문화학회
- 손진태, "조선 고대 산신의 성에 취하여 in: 손진태선생전집(제 2권)", 태학사
- 윤광봉, "호랑이설화와 연희", 비교민속학, 14 (1997), 비교민속학회
- 윤열수, "산신도 (빛깔 있는 책들 시리즈 216번)" (1998), 대원사
- 이가원, "이조한문소설선" (1975), 민중서관
- 일연, "삼국유사" (1997), 을유문화사
- 최남선, "삼국유사" (1971), 민중서관
- 임동권, "한국민속학논고" (1982), 집문당
- 임재해, "산신설화의 전승양상과 산신숭배의 문화", 비교민속학, (29), pp.379~420 (2005), 비교민속학회
- 전해종, "동이전의 문헌적 연구" (1982), 일조각
- 최순우, "한국미술 (1권 : 고대·고려)" (1982), 도산문화사
- 하수경, "한국 호랑이 그림에 대한 一考察", 비교민속학, (26), pp.611~644 (2004), 비교민속학회
- 황루시, "강릉단오제 설화연구", 구비문학연구, (14), pp.452~487 (2002), 한국구비문학회
- "고려사 (1)" (1991), 여강출판사
