빅토리야 토카레바의 언어와 문체에 나타난 ‘행복’의 개념 고찰

Abstract

This article is devoted to the problems of women's prose and the originality of the language and stylistic device in the works of V. Tokareva. Women's prose is represented by women, whose author, heroine, and tells about women's fate and women's psychology from the point of view of women. The specifics of women's prose include intertextuality, aphorism, essayism and journalism of style, etc. The specifics of women's prose and its reflection in V.Tokareva's prose are considered. The study examines the author's linguistic and style-forming means, such as parceling and reminiscence and metaphor, asserting the continuation of Chekhov's artistic tradition. Victoria Tokareva's works have a wide range of problems: she writes about people's attitudes towards truth and lies, about love and a sense of duty. Problems such as relationships between representatives of different generations, family, the meaning of life, terrible living conditions in Russia and the desire to leave for another are also raised. country. Tokareva's characters, changing in accordance with the time, have the same grievances, the same sadness and the same hope for happiness. The pursuit of happiness is like the foundation of their relationship to the world. On this basis, the semantic field of understanding “happiness” is analyzed in comparison with the understanding of “love” and “life.” In this way, Tokareva's concept of "happiness" is investigated, reflecting the author's worldview, and it is realized by the peculiarities of the author's individual writing style.