일제강점기 한국 현대 시인의 동아시아 경험에 대한 인문학적 재인식

Abstract

The purpose of The activities of Shanghai, which was made by literary figures such as Lee Kwang-soo and Joo Han, based on the <Independent Newspaper> in the 1920s, which was the early days of the Japanese colonial rule, can be seen as being enlightened.,Especially, the major popular poetic theory has a nationalistic orientation in that it emphasizes the national sentiment. However, as the Japanese colonial rule continued, the militaristic strategy of Japanese imperialism was strengthened since 1930, land exploitation and exploitation of labor were expanded, and the number of migrants to Manchuria and Gando area was increasing exponentially. In this period, poets such as Baekseok and Yongak have already verbalized the life of the desertion and wandering and its history, It is now possible to show the poetics of poetry.,It is the form of objective observation and presentation, and at the same time, it is the recognition of the other () and the re-perception of the community life found in the thorough personal loneliness of the Taji (the earth). The poems of Yi Yuksa and Yun Dong-ju during the period around the Pacific War in the 1940s are representative examples of poets themselves showing the peak of constant menstruation and degeneration.,Their paths can never be limited to the meaning of 'diaspora' in that the meaning of the poetic subject is revealed in the form of existential determination and will, accompanied by the reflection of the historical existence of the poetic subject in the work.,This is because the history of Korean modern poetry developed from the Japanese colonial rule is the peak of securing an epistemic space to confirm the identity as a national literature, and it also shows the work of value of life that poetry can create in the name of historical humanism.