박인환 시의 고향 의식과 시 쓰기의 의미

Abstract

The purpose of this paper is to analyze Park In-hwan’s hometown consciousness and examine how it relates to the poetic orientation. The meaning of “home” in Park In-hwan's text exceeds the “defection” defined by existing studies. The main mechanisms that drive Park In-hwan’s hometown consciousness are the Korean War and the American experience. The loss of hometown, which appears in the psalms reflecting the war experience, is a mechanism for thinking about the event of war and implies an awareness of the war ideology. As a result, it is shaped as an 'existential space’. If you go to the “America’s Beginning,” which reflects the American experience, the sense of hometown is expressed as a desire to escape from the coding of the ideology that comparts “America.” As a result, Park In-hwan's home consciousness is signified as a “space of recognition” that exceeds the Nortel language defined by previous studies. Park In-hwan's hometown consciousness is eventually transformed into a “space of creation” that implies creative capabilities based on the placeness of the purity and vitality of Inje(Gangwon-do). Park In-hwan’s poetic orientation, which wanted to take a walk from the violence of capital and civilization to the “primitive forest of poetry,” emerges as an aesthetic space called Inje, which combines place. In summary, the ‘hometown’ embodied in Park In-hwan’s poem does not simply embody realistic hardships or stop at a space of deprivation that seeks to escape from them. At the point of change from “hometown” to “inje,” it is a space where the problems of reality and poetry that Park In-hwan thought throughout his life are melted. This research expands the horizon of Park In-hwan’s research and has significance as a cornerstone for placeness research.