이학규 賦의 형상화 방식과 문학적 특징 —<海賦>, <火賦>, <霖雨賦>를 중심으로—

Abstract

Lee Hak-gyu(1770~1835) got involved in the white paper scandal of Hwang Sa-yeong during Shiyusaok(1801) and lived in exile in Gimhae for 24 years. Living in exile, he actively embodied his inner world through poetic creations. At the same time, he explored the expressive techniques and aesthetic characteristics of poetry and selectively applied the poetic styles and forms. It was out of his fierce consciousness as a poet that he created five Bu works in the early days of his exile. This study focused on Haebu, Hwabu, and Imwoobu of the five works. They were about the "sea," "fire" and "monsoon," respectively, and intensively used a descriptive narration method. Before writing the three works, Lee searched far and wide Chinese and Joseon Bu works of the same materials. Based on them, he utilized his observation, depiction, imagination, and lyricism for individual work organization and narrative methods. In terms of expressive techniques, he adopted the enumeration technique of Hokjagu and Jeongo quotes in the works and maximized the rhetorical effects of enumerative statement, thus creating form-, rhythm- and implication-based aesthetics. The enumeration of Hokjagu and Jeongo quotes was especially used with importance in his Chinese poems, as well, which indicates that the expressive technique was part of his important individuality as a writer.