정학연 형제와 이만용의 두릉(杜陵) 유람과 시축(詩軸) 제작－「유두릉시축(遊杜陵詩軸)」을 중심으로－

Abstract

What distinguishes the scroll of poems and album of poems from the finalized version or published collection of works is the remaining various literary chords such as traces of including the first drafts of Chinese poetry, the elaboration or modification of poetic dictation, and several layers of handwritten marks and comments. The tradition of Dasan exploring scenic areas around Dureung with descendants or close friends, promoting poetry books, and producing scrolls of poems continued with the Jeonghakyon siblings even after Dasan. Among these, a book of poetry that the Jeonghakyeon siblings and Lee Manyong made while wandering around Dureung, as well as a critique by Lee Manyong is included as a Yudureung Scroll of Poems. Lee Manyong’s critique of Chinese poetry exhibit several characteristics. First, it elaborates on the undertones of poetic concepts, but stresses the organic flow of poetic dictation and verse, as well as the space and materials for reciting or making poetry. What stands out is the explanation of objective correlatives that involve the poet’s emotions as a Hojeopmong anecdote of Jangja. Second, Lee Manyong’s critique focused on the everydayness of language and realistic expressions, which suggests that the scope of application of literary subjects was that broad. The full recognition of the ability to properly describe subjects that seem minor and trivial at first glance coincides with the active application of annotations in Chinese poetry in the latter Chosun period and their growing role in comparison with previous generations. Third, Chinese calligraphic theory was applied to critiques of Chinese poetry to comment on methods of making and arranging poetic verses. The grafting of Ming dynasty discussions on writing techniques and Qing dynasty critiques on paintings into the production and enjoyment of Chinese poetry is assumed to be influenced by Sinui. A consideration of the aesthetic principles of Ming-Qing calligraphy is necessary in order to put into perspective the verse making and critique tendencies of Dureungsisa.