牧隱 歌行詩에 나타난 特徵的 構法

Abstract

This study examines composition techniques of Ga-Hang poetry in Mogeun Lee-saek's Goche poetry. Mogeun composed diverse forms of Yue-fu poems, of which ‘Ga(歌)’ accounts for the most, and ‘Hang(行)’ is the second. Besides, there are more of forms, such as ‘Um(吟)’, ‘Pyen(篇)’, ‘Tan(歎)’, ‘In(引)’, ‘Yo(謠)’, and ‘Gok(曲)’. Most of these Ga-Hang poems are composed of seven-character lines and the numbers of the lines range from eight to thirty-six. Most of them are even-numbered but odd-numbered lines like 13, 15, and 17 demonstrate the diversity of the forms that Ak-fu poetry has. Mogeun's Ga-Hang poetry is characterized by using colloquial phrases, empty words, and conjunctions that are very common in the prose. Ga-Hang poetry was originally the words of songs, so Mogeun's Ga-Hang poetry displays the characteristics as it is. One is about Hae. It consists of 15 lines that can be divided by 7 Hae(解). Every odd-numbered line is coupled with the next even-numbered line except the last three and it becomes Hae(from first to sixth). However, the last three lines, not the two lines, become the 7th Hae. The other is about Chub(疊). The poem repeats Chub, which is seven lines, three times and two lines are added at the end as the closure of it. However, both Hae and Chub are organized with the structure of Introduction-Development-Turn-Conclusion.