張之琬 한시 연구

Abstract

As a poet from family of middle class in the first half of the 19th century, Jang Jiwan[張之琬] played an important role in contemporary poetry society, such as forming poets group of Biyeon[斐然詩社] and participating in the compilation of Fungyosamseon[選謠三選]. Following the teachings of his father, he thoroughly read the sutras of the Confucian family from a young age, and especially devoted himself to learning and discipline based on Neo-Confucianism. This seems to have been the basis for asserting the poetics of the human nature and spirit, which places importance on the expression of the right disposition and the expression of individuality. It can be said that it is the result of reflecting his academic interest and practice that Jang Jiwan's works frequently criticize the ideology of Taoism and Buddhism and show respect for Neo-Confucianism. It seems that Jang Jiwan was actively involved in the movement for the right of middle class as a Yulgwan[律官] and Seori[胥吏], and faithfully engaged in public affairs and taking the lead in social practice. Not only did he lead poets group of Biyeon, but he also took the lead in editing and publishing the anthologies and anthologies of Yeohang[閭巷] literati. In Jang Jiwan's poems, there are quite a number of works such as Gisok[紀俗], Yeongsa[詠史], and Jeyeong[題詠] written in various parts of the country. Through these works, Jang Jiwan detailed the history and customs of the travel area as well as the joys and sorrows of the people there. Jang Jiwan was active at a time when the influence of Sino-Korean literature on politics and society was not the same as in the past. Jang Jiwan's poems based on academic insight into the self and the world are evaluated as having a conservative desire to return to the past, but they also show a high level of performance in both content and expression. The significance of Jang Jiwan's poetry can be found in that it can confirm the double aspect of the last period of Sino-Korean literature, which was gradually declining.