이상 시에 나타난 불안 양상

Abstract

By looking at the technical features of Lee Sang’s poetry, the aspects of anxiety consciousness were examined deeply. Specifically, anxiety consciousness emerges while detecting the confusion of identity and the fragmented body. At this point, the signs of a morbid death consciousness unfold in a grotesque way. This is an expression based on the sense of disparity between the unfortunate family history and the ideal pursued personally by Lee Sang who lived to be feeling exhausted and gloomy as intellectuals in the colonial era. The avant-garde technique is a way to embody freedom, rebellion and deviance against the old system and customs. The physical pain and uncomfortable family relationship caused by pulmonary tuberculosis led to reflection on death. The consciousness of death is reappeared in a form in which the body is fragmented and the organs are separated, and it has a illusion image. Through the surrealist technique, he transforms a desperate world into death by not adapting to the difficult reality and viewing it in a playful way. Lee Sang made use of the new language experimentally apart from the old-fashioned sense. It is meaningful that it was created by destroying the traditional elements of Korean poetry. Lee Sang is an avant-garde of Korean poetry history in terms of syntactic and epistemological aspects.