1930년대 근대시와 이상-김기림·김용직 이상론 재고찰을 중심으로

Abstract

This study aims to reexamine poetry from the 1930s, a period that can be characterized as the era of modernism. Among the poets active during the 1930s, particular attention was given to Lee Sang, who can be identified within the scope of modernism as defined by Kim Ki-rim. The study focuses on Lee Sang as both a writer and a poet, examining his significance and influence in the literary scene. By emphasizing the contributions and limitations of Lee Sang as a poet, the research aims to provide a clearer understanding of his role. This focus reflects the intention behind revisiting the history of 1930s poetry, underscoring the need to reevaluate and redefine Lee Sang's position in the context of Korean modern literary history and modern poetry. Under the themes of “reexamination,” “reinterpretation,” and “reconsideration,” this study does not merely reflect on the 1930s but highlights Lee Sang as a poet whose reestablished position is critical. Situated at the intersection of modern and postmodern literary movements, Lee Sang’s works reveal that the speaker, the subject, and the object emerge, derive meaning, and expand within the framework of modernity and modern characteristics.