中国美学对韩国油画的影响研究
A Study on the Influence of Chinese Aesthetics on Korean Oil Painting
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초록
油画艺术的东渐与繁兴，形成了缤纷多姿的人文图景，在很大程度上是世界范围内重要的西方艺术形式——油画西来，并且逐步流播于东亚诸国——中国的油画与朝鲜半岛的油画相得益彰而相形见绌，不能混为一谈。西方人常将韩国的油画视同中国的油画而致错识。此即显现韩国油画与中国画美学意味水乳交融的必然性机缘。可以说，韩国油画之具有多重性、国际性、个性，即以其中蕴含的几重意味相杂糅。长久以来，学术界已对我国油画史与韩国油画史的相关研究均有建树，但是还没有就二者比较研究的问题形成系统的研究方法，对二者在美学理念、画风特点、题材内容、技法手法等方面的比较几乎都处于匮乏状态，而基于美学观的研究更是空白如洗。本文立足本民族美术史，采取文献梳理、典型画作图示分析和美学比较法，结合哲学、文化、社会层面原因进行诠释说明，力图填补这类空白。这对进一步丰富韩国油画史或油画史的研究，从美学的角度把握与折射历史背景下的差异动因，弥补现有学术研究不足与拓宽中韩文化艺术交流的途径具有积极意义，同时，也为认识中国油画与东亚油画开辟了新的视域。
Abstract
Peninsula, oil painting underwent distinct yet interconnected processes of localization. Western societies often regard Korean oil painting as an extension of Chinese oil painting, a perceptual bias that precisely reveals the historical inevitability of Korean oil painting's profound integration with Chinese aesthetic traditions. Consequently, Korean oil painting exhibits a complex character, embodying multiplicity, internationality, and individuality. While academic research has long yielded abundant results on Chinese and Korean oil painting as separate subjects, systematic comparative studies on their aesthetic concepts, stylistic features, thematic choices, and technical applications remain scarce. This study aims to conduct an in-depth comparison of the localization processes of Chinese and Korean oil painting from an aesthetic perspective, revealing their profound cultural connotations and unique artistic characteristics. By sort out historical contexts through documentary research, interpreting representative works using image analysis, and analyzing the causes of differences from philosophical, cultural, and social dimensions through aesthetic comparison, this study can not only fill a gap in academic research but also deepen the understanding of Sino-Korean cultural and artistic exchanges and the innovation mechanisms of Eastern art, providing new theoretical perspectives for a holistic understanding of oil painting art in East Asia.