天象列次分野之圖에 내재된 원형 보존의식-黃赤交點의 논의와 관련하여-

Abstract

In Chon-Sang-Yol-Cha-Bun-Ya-Ji-Do different times coexist. There are multilayer times of viewing and production in a single drawing. Viewing times does not exactly coincide with production times. So in this study on Chon-Sang-Yol-Cha-Bun-Ya-Ji-Do, I considered not only physical parallax but also producer's recognition-parallax. I limited this analysis to lines of circle. those are 365 divisions, the twelve signs of the zodiac, 28 constellation, the equator and the ecliptic. In the substance, I have examined only the degree of twelve signs of the zodiac and the intersection of the ecliptic and the equator. As a result, I found three-layer times. Three-layer times Correspond with Tae-Cho-Lyok(太初曆) of The Western Han Dynasty, In reality, Jeon-Yuk-Lyok(顓頊曆), and Sa-Bun-Lyok(四分曆) of the Eastern Han Dynasty, and Dae-Yon-Lyok(大衍曆) of Tang Dynasty. But the producers who could do it would have been someone since the Tang Dynasty. The producers of the time were meant to be together without cutting off the different past. So they did not choose Jeol-San(截算) method, but Jeok-Yon(積年) method. Because the intersection of the ecliptic and the equator is asymmetric. A strange figure was produced only from the actual measurement of science. But It was not strange that the mistake was made, but on intention. The intention is So-called Preservation consciousness of prototypes, to put the past together in the present tense.