鞏義石窟의 北朝시기 造像題記에 대한 書風 고찰

Abstract

This article provides an in-depth examination of the inscriptions on statues during the Northern Dynasty period in the Gongyi Grottoes from the perspectives of history, iconography, and calligraphy.Especially different from previous studies that focus on the content of inscriptions, a comprehensive and detailed analysis was conducted on the writing style, sentence structure, structure, and style of inscriptions, and meaningful conclusions were objectively drawn: Firstly, this article comprehensively examines the specific characteristics of historical stages and inscriptions, overcoming the limitations of linear research that only divides inscriptions during the Northern Dynasty in Gongyi Grottoes into historical stages, and for the first time analyzing the style of inscriptions. Secondly, the Gongyi Grottoes are located in a special geographical location, and a diverse and multi-layered appearance can be found in the style of inscriptions during the Northern Dynasty.This proves that factors such as the alternation of multiple dynasties, cultural diversity, and regionalism are at play, demonstrating the diversity of calligraphy styles. Thirdly, in the Northern Dynasties period of the Gongyi Grottoes, the Wei stele style has always been the mainstream, absorbing various elements from the surrounding area, exhibiting a strong tendency towards decentralization and reflecting a highly artistic style of calligraphy. Finally, a meticulous examination was conducted on the writing techniques, concluding sentences, composition, and style of ancestor worship during the Northern Dynasty in the Gongyi Grottoes, revealing the simple and innocent style of inscription and calligraphy.Objectively summarizing the popular retro style of official script at that time and influenced by the Southern Dynasty calligraphy style, it demonstrates the unique regional natural beauty of Gongyi Grottoes, which is different from the solemn "Luoyang style" or the elegant Southern Dynasty "two wang".