오에 겐자부로의 윌리엄 블레이크 - 「순수의 노래, 경험의 노래」에 나타난 상호텍스트적 서사전략
Oe Kenzaburo’s William Blake: Intertextual Narrative Strategy in “Songs of Innocence, Songs of Experience”
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Oe Kenzaburo has been deeply influenced by William Blake, an English poet of the eighteenth and nineteenth centuries. He resorted to Blake especially after his first son was born severely handicapped. It is extraordinary to see how much he has been indebted to Blake. His Rouse Up O Young Men of the New Age! is literally filled with quotations from William Blake’s poems and engravings. It is, to use Julian Kristeva’s phrase, “a mosaic of quotations.” Oe absorbs and transforms Blake’s text to a great extent in which his text is almost saturated by Blake’s. This study examines “Songs of Innocence, Songs of Experience,” the first story in the collection, in light of what Kristeva calls intertextuality and brings into discussion the ethical dimension of intertextuality Oe makes use of. It highlights the way Oe reads Blake and draws connections between Blake’s poems and his own life particularly regarding his handicapped son with a severe brain damage. Reading Blake was for Oe not only a way to survive the traumatic experience of his own family but a way to find a new style through which he came to terms with his writing profession. Oe has drawn connections between his personal and professional life and Blake’s poems of which he thinks as “some marvelous encyclopedia.” He found in Blake “some kind of prophetic guidance” for his own life.
Abstract
Oe Kenzaburo has been deeply influenced by William Blake, an English poet of the eighteenth and nineteenth centuries. He resorted to Blake especially after his first son was born severely handicapped. It is extraordinary to see how much he has been indebted to Blake. His Rouse Up O Young Men of the New Age! is literally filled with quotations from William Blake’s poems and engravings. It is, to use Julian Kristeva’s phrase, “a mosaic of quotations.” Oe absorbs and transforms Blake’s text to a great extent in which his text is almost saturated by Blake’s. This study examines “Songs of Innocence, Songs of Experience,” the first story in the collection, in light of what Kristeva calls intertextuality and brings into discussion the ethical dimension of intertextuality Oe makes use of. It highlights the way Oe reads Blake and draws connections between Blake’s poems and his own life particularly regarding his handicapped son with a severe brain damage. Reading Blake was for Oe not only a way to survive the traumatic experience of his own family but a way to find a new style through which he came to terms with his writing profession. Oe has drawn connections between his personal and professional life and Blake’s poems of which he thinks as “some marvelous encyclopedia.” He found in Blake “some kind of prophetic guidance” for his own life.
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