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A New Reading of Songs of Innocence of Blake
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This article attempts to consider Blake's Songs of Innocence through Lacan's perspective. In Lacan's view, desire expresses itself in a particularly masculine way as well by identifying and subordinating the other as the object that is necessary to complete the male subject. Desire becomes structured into language as a masculine discourse the moment the individual engages in the Symbolic Order. That is, once the individual begins to recognize himself as a distinct entity, he no longer experience himself as concomitant with external reality, but as a subject. The subject's immediate response is to attempt to undo the split that has created his awareness of himself by seeking in the world outside of him what had been lost because of it. What he hopes to regain is what he regards as an original state of unity with the world od objects. But the displacement toward unity brings with it an unavoidable and painful awareness of the limits of subjectivity.
Abstract
This article attempts to consider Blake's Songs of Innocence through Lacan's perspective. In Lacan's view, desire expresses itself in a particularly masculine way as well by identifying and subordinating the other as the object that is necessary to complete the male subject. Desire becomes structured into language as a masculine discourse the moment the individual engages in the Symbolic Order. That is, once the individual begins to recognize himself as a distinct entity, he no longer experience himself as concomitant with external reality, but as a subject. The subject's immediate response is to attempt to undo the split that has created his awareness of himself by seeking in the world outside of him what had been lost because of it. What he hopes to regain is what he regards as an original state of unity with the world od objects. But the displacement toward unity brings with it an unavoidable and painful awareness of the limits of subjectivity.
참고문헌 (24)
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