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Rereading Blake’s Songs of Experience

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William Blake states that the purpose of his work is an endeavour to restore “the Golden Age” of human beings. His vocation for the restoration is revealed explicitly in Songs of Innocence and of Experience, an early production in his writing career. In the epigram, he says that the songs are written for “shewing the two contrary states of the human soul.” From the title itself we can draw easily what the two contrary states of the human soul are. And in Songs of Innocence, it’s easy to tell what ‘innocence’ means. The prevailing motifs and imagery in the poems show that it’s an innocent status of the human mind which can be found in young boys and girls inexperienced in the tough world. But in Songs of Experience, ‘experience’ resists obstinately being translated into ‘corruption’ as opposed to ‘innocence.’ Songs of Experience witnesses many young boys and girls deserted and tormented by grown-ups especially by the established. The fact that the former-dwellers in the world of innocence are harshly abused in the world means that the experience is not the state of the human soul or mind but ‘the conditions in living.’ And also the translation of experience into corruption impairs the coherence of the whole context in Songs of Experience. Experience as the conditions in living invites inevitably the problem of ‘justice.’ In Songs of Experience, Blake criticizes severely the ‘logocentrism’ which has been corrupted into the dominant ideology by the ruling class, especially by the religious. The religious who have monopolized all the information in the name of religious mysticism curb the reasons of people and their bodies as well. Blake believes in the original status of human beings but also believes that the deep-rooted injustice done by the established has been spoiling the prime quality. Only the society of justice in which reciprocal equality is fulfilled can restore “the Golden Age” of human beings. The predicaments of the modern world in which the social polarization between the rich and the poor has been deepened clarify that Songs of Experience can be a prophetic and apocalyptic gospel for us.

Abstract

William Blake states that the purpose of his work is an endeavour to restore “the Golden Age” of human beings. His vocation for the restoration is revealed explicitly in Songs of Innocence and of Experience, an early production in his writing career. In the epigram, he says that the songs are written for “shewing the two contrary states of the human soul.” From the title itself we can draw easily what the two contrary states of the human soul are. And in Songs of Innocence, it’s easy to tell what ‘innocence’ means. The prevailing motifs and imagery in the poems show that it’s an innocent status of the human mind which can be found in young boys and girls inexperienced in the tough world. But in Songs of Experience, ‘experience’ resists obstinately being translated into ‘corruption’ as opposed to ‘innocence.’ Songs of Experience witnesses many young boys and girls deserted and tormented by grown-ups especially by the established. The fact that the former-dwellers in the world of innocence are harshly abused in the world means that the experience is not the state of the human soul or mind but ‘the conditions in living.’ And also the translation of experience into corruption impairs the coherence of the whole context in Songs of Experience. Experience as the conditions in living invites inevitably the problem of ‘justice.’ In Songs of Experience, Blake criticizes severely the ‘logocentrism’ which has been corrupted into the dominant ideology by the ruling class, especially by the religious. The religious who have monopolized all the information in the name of religious mysticism curb the reasons of people and their bodies as well. Blake believes in the original status of human beings but also believes that the deep-rooted injustice done by the established has been spoiling the prime quality. Only the society of justice in which reciprocal equality is fulfilled can restore “the Golden Age” of human beings. The predicaments of the modern world in which the social polarization between the rich and the poor has been deepened clarify that Songs of Experience can be a prophetic and apocalyptic gospel for us.

참고문헌 (27)

  1. Blake, William, "The Complete Poetry & Prose of William Blake" (1982), California UP
  2. Bottral, Margaret, "William Blake: Songs of Innocence and Experience" (1979), The MacMillan Press Ltd
  3. Bowra, C. M., "The Romantic Imagination" (1969), Oxford UP
  4. Cervo, Nathan, "Blake’s the Sick Rose", The Explicator, 48(4), pp.253~254 (1990)
  5. Digby, Georgy, "Symbol and Image in William Blake" (1957), Oxford UP
  6. Ferber, Michael, "The Social Vision of William Blake" (1985), Princeton UP
  7. Gardner, Stanley, "Infinity on the Anvil: A Critical Study of Blake’s Poetry" (1954), Basil Blackwell
  8. Gleckner, Robert F., "The Piper and the Bard: A Study of William Blake" (1959), Wayne State UP
  9. Glen, Heather, "Vision and Disenchantment: Blake’s Songs and Wordsworth’s Lyrical Ballads" (1983), Cambridge UP
  10. Hobson, Christopher Z., "The Chained Boy: Ore and Blake’s Idea of Revolution" (1999), Bucknell UP
  11. Le Guin, Ursula, "The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination" (2004), Shambhala
  12. Miner, Paul, "Blake’s Swedenborgian Fly", Notes and Queries, 58(4), pp.529~530 (2011)
  13. Musante, Robert, "Embracing the Divine: The Life of Spirit in William Blake’s Songs of Innocence, Songs of Experience, and The Marriage of Heaven and Hell", Ph D, pp.2007
  14. Nesfield-Cookson, Bernard, "William Blake: Prophet of Universal Brotherhood" (1987), Crucible
  15. Nurmi, Martin K., "William Blake" (1976), Kent State UP
  16. O’Neill, Judith, "Critics on Blake" (1975), Miami UP
  17. Peterfreund, Stuart, "William Blake in a Newtonian World" (1998), Oklahoma UP
  18. Phillips, Michael, "Interpreting Blake" (1978), Cambridge UP
  19. Rawls, John, "Theory of Justice" (1999), Harvard UP
  20. Riffaterre, Michael, "The Self-Sufficient Text", Diacritics, 3(3), pp.39~45 (1973)
  21. Sinderen, Adrian Van, "Blake: The Mystic Genius" (2010), Kessinger
  22. Stauffer, Andrew, "Anger, Revolution, and Romanticism" (2009), Cambridge UP
  23. Todhunter, John, "Shelley and the Marriage Question" (1889), Private Circulation Only
  24. Young, Iris, "Justice and the Politics of Difference" (1990), Princeton UP

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