본문 바로가기
KERD
논문KCI 등재

양산보는 무엇을 즐겼는가?

What is the pleasure(樂) of Yang San-bo(梁山甫)?

0

조회

0

다운로드

2

인용

0

참고문헌

키워드

주제분류기타인문학

초록

The purpose of this article is to weigh what it enjoyed a Soswaeong(瀟灑翁) Yang San-bo(梁山甫). And this is the basis to attempt an aesthetic approach to the realm of pleasure(樂) to the Confucian-oriented. This article is largely divided into three parts. Discussion of his enjoyment, interpretation of the assessment of future generations of people, the aesthetic approach to the realm of pleasure(樂). He enjoyed what you put it? Gauge can see in three, as follows: First, one has a crystal clear spirit. The spirit is to foster a thriving aesthetic rational abilities. Feeling that the nature of the crystal-clear that the autonomy of good(善) saving on the effort to magnetize. Secondly, while practicing one with Sachin(事 親) will be a source of values. The cheerful and active in the cavalier spirit of serene lives, the joy caused by mental cultivation. These two are the driving force that enabled the encounter with its origin. Thirdly, what was the springboard to a thing that led to the integral experience of all things aesthetically rational ability to activate. This experience is volunteer and aesthetic experience in terms of emotional and intuitive experience. And the nature of the aesthetic experience is a sense of unity can be seen by projecting the emotion of things. This unity is not much different from those that focus on enjoyment in studying abroad. All three are regarded as an essential requirement in the achievement of true happiness. Dao(道) and the pursuit of pleasure (樂), and happy life is closely linked. Soswewon(瀟灑園) is like-minded and he was chosen to equip this requirement. And this choice was determined according to their own tastes and preferences. Without the tastes and preferences to pursue Soswe (瀟灑) would not have been even joy, will to do good is also achieved would not have been able grows. To quote the expression of Imamichi Domonobu(今道友信), did not give up the path of self-realization to see mass production. That factor was living in Soswaewon(瀟灑園). Life is always there to make him always made aware of the origin of the present and the value of things. in there, and made him to always be aware of the origin of the present and the value of things.

Abstract

The purpose of this article is to weigh what it enjoyed a Soswaeong(瀟灑翁) Yang San-bo(梁山甫). And this is the basis to attempt an aesthetic approach to the realm of pleasure(樂) to the Confucian-oriented. This article is largely divided into three parts. Discussion of his enjoyment, interpretation of the assessment of future generations of people, the aesthetic approach to the realm of pleasure(樂). He enjoyed what you put it? Gauge can see in three, as follows: First, one has a crystal clear spirit. The spirit is to foster a thriving aesthetic rational abilities. Feeling that the nature of the crystal-clear that the autonomy of good(善) saving on the effort to magnetize. Secondly, while practicing one with Sachin(事 親) will be a source of values. The cheerful and active in the cavalier spirit of serene lives, the joy caused by mental cultivation. These two are the driving force that enabled the encounter with its origin. Thirdly, what was the springboard to a thing that led to the integral experience of all things aesthetically rational ability to activate. This experience is volunteer and aesthetic experience in terms of emotional and intuitive experience. And the nature of the aesthetic experience is a sense of unity can be seen by projecting the emotion of things. This unity is not much different from those that focus on enjoyment in studying abroad. All three are regarded as an essential requirement in the achievement of true happiness. Dao(道) and the pursuit of pleasure (樂), and happy life is closely linked. Soswewon(瀟灑園) is like-minded and he was chosen to equip this requirement. And this choice was determined according to their own tastes and preferences. Without the tastes and preferences to pursue Soswe (瀟灑) would not have been even joy, will to do good is also achieved would not have been able grows. To quote the expression of Imamichi Domonobu(今道友信), did not give up the path of self-realization to see mass production. That factor was living in Soswaewon(瀟灑園). Life is always there to make him always made aware of the origin of the present and the value of things. in there, and made him to always be aware of the origin of the present and the value of things.

참고문헌 (29)

  1. 김기현, "선비의 수양학:자아의 닦음과 가꿈" (2014), 서해문집
  2. 金麟厚, "河西全集", ~
  3. 羅光, "儒家形上學" (1991), 學生書局
  4. "論語", ~
  5. "孟子", ~
  6. 蒙培元, "理學范疇系統" (1987), 人民出版社
  7. 朴世采, "南溪先生朴文純公文正集", ~
  8. 潘立勇, "朱子理學美學" (1999), 東方出版社
  9. 徐復觀, "중국예술정신" (2000), 동문선
  10. "宋史", ~
  11. 宋時烈, "宋子大全", ~
  12. 梁山甫, "瀟灑園事實", ~
  13. "禮記", ~
  14. 오종일, "소쇄원 양산보의 의리사상", 범한철학, (31), pp.99~120 (2003), 범한철학회
  15. 윤재근, "東洋의 本來美學" (2006), 나들목
  16. 이마미치 도모노부, "동양의 미학" (2005), 다할미디어
  17. 李敏敍, "西河先生集", ~
  18. 이승연, "유가적 ‘즐거움’의 의미와 그 현대적 의의", 한국학전집, 32 (2005)
  19. 이향준, "양산보(梁山甫)의 소쇄기상론(瀟灑氣象論): 그 연원과 의미를 중심으로", 호남문화연구, 32・33 (2003)
  20. 정재현, "유학에 있어서의 도의 추구와 행복 - 선진 유가를 중심으로", 철학논집, 42, pp.39~62 (2015), 철학연구소
  21. 조남욱, "儒家에서 지향하는 ‘즐김(樂)의 경지’에 관한 연구", 유교사상문화연구, (28) (2007), 한국유교학회
  22. 朱熹, "論語集註", ~
  23. 朱熹, "孟子集註", ~
  24. 朱熹, "二程遺書", ~
  25. 朱熹, "朱子語類", ~
  26. 朱熹, "朱熹集", ~
  27. 蔡淸, "四書蒙引", ~
  28. Alan Singer, "Aesthetic Reason:Artworks and the Deliberative Ethos" (2003), The Pennsylvania State University Press
  29. Gary Iseminger, "The Oxford handbook of Aesthetics" (2003), Oxford University Press

관련 논문AI추천

이 간행물의 다른 논문 (12건)