이현화 희곡의 역사 재현 방식 연구－ 『키리에』,『협종망치』를 중심으로－

Abstract

Lee hyun hwa’s historical drama destruct and reorganize a variety of familiar historical events of long time ago generally at the level of giving audiences their sketchy information, and through the setting that emphasizes the continuity of the present and the past, makes individuals in the theater think about the responsibility of ‘implication’ comprehensively in historic and social networks. Yet, when it comes to Kirie and Hyubjong Mangchi , the history in close range and contemporary evens are dealt with, and the reality of the day when the works were created becomes awakened directly. At the same time, the changes in the aspects of reproduction of history are revealed in that the true nature of the debt as an implicated person, and the responsibility of ‘rectification’ are specified and emphasized. These two works not only stress audiences’ roles to intervene in the reality, but also look back fundamentally the direction of liquidation itself regarding cleaning up of the past, and therefore, highlight ‘historical truthfulness’ rather than historic ‘truth’. Yet, in spite of the meaningful presentation of problems, the similarity between the situation in the drama and the reality exposes the possibility for the writer's original intention to be interpreted in distortion. However, through Hyubjong Mangchi , the author elucidates the duty to pay off the faults of the past, and simultaneously, underlines that the main agent of the liquidation should be ourselves who live in the same period.