근현대 북유럽 3국으로 유통된 한국 도자의 수집 양상과 성격

Abstract

The purpose of this study is to clarify the characteristics of Korean ceramics recognized in each country by analyzing the distribution background, collection patterns, and formative characteristics of Korean ceramics distributed in modern and contemporary Northern Europe. Korean ceramics that flowed into the three Nordic countries can be divided into four periods. First, period I from the opening of ports around the 20th century to the 1910s when the Japanese colonial period began, and period II from the 1920s and 1930s when cultural assets were exported in earnest. The period before the 1980s was considered as the III period, and the period from the 1980s to the 2000s, when individual donations increased as interest in Korean cultural properties increased with the decision to host the Seoul Olympics, as the IV period. Based on this, the collection patterns of Korean ceramics by period were analyzed by analyzing the archive materials of the three institutions representing the three Nordic countries. In addition, through the archive materials of the Swedish East Asian Museum, the economic value of the time could be estimated by comparing the selling price of Korean ceramics traded in the British art market with Chinese ceramics. Afterwards, Korean ceramics collected in the three Nordic countries were classified by type to examine the characteristics, and each decorative technique and pattern material was analyzed. Through this, it was identified that the Korean ceramics in the Swedish Museum of East Asian Art were collected by the nature of art objects, and it was judged that the National Museum of Denmark and the National Museum of Norway collected Korean ceramics from the viewpoint of folk art.