歌集 형성기의 樂府와 歌曲의 상관성에 대한 일고

Abstract

This research aimed at verifying that the close correlation between Yuefu(樂府) and Gagok(歌曲) took an important role in the appearance process of song books(Gajib 歌集), by paying attention to the stream of literary criticism as the historical background that brought song books(歌集) of the 18th century, such as 『Cheongguyoungeon (靑丘永言)』, 『Gogeumgagok (古今歌曲)』, etc. Accordingly, this research comprehended the process, appearance of Ming Dynasty (明代)’s Archaism (擬古主義) and transmission to Joseon(朝鮮) → Old style Yuefu(古樂府) movement of late 17th century → reflection on the old style Yuefu and raising of Truthful Poem literary theory → new understanding of the value of Yuefu and Gagok → occurrence of Korean song books(歌集) in the organic stream. In the process of illuminating the appearance of song books, this research particularly paid attention to Kim Chang-heup’s role. Kim Chang-heup’s respect for old style Yuefu(古樂府) influenced singing(歌唱) culture, which gradually made Yuefu and Gagok be closely perceived. Therefore, he can be said to be a significant mediating link to review the relation between the early 18th century Yuefu and Gagok. This research intended to study beyond the boundary(境界) between Korean classical poetry field and Sino-korean literature(漢文學) field. Some tasks can be comprehended with the complete actuality when being studied beyond the major and the region. The researcher wishes that this research could contribute to the research beyond the boundary of border and genre.