도시 산책자와 시선 표상의 의미양상 - 이문재·유하·고진하의 시를 중심으로

Abstract

This article was lit up with the politics and ethics of representationmodernology and gaze on the city at the time of Lee Munjae, Yu Ha, KoJinha poetry. In their poetry Flaneur is to position themselves in the cityoutside while the inside part of the city. Thereby, they create a system ofeye staring at the outside of the cities in the interior of the city asimaginary. The Flaneur Lee Munjae poetry of resistance to the speed of civilizationthrough the virtue of slowness, which goes against the fascist rate of urbancivilization. Perspective and against enemies in the eyes of the flaneur ofLee Munjae poetry can be read as an alternative proposition for the ethicsof civilization. Yu Ha poem to obtain a political and ethical to recognize thevoyeuristic gaze and urban wind speed ever spectacular scenery of spyingsexual desire in half through the modernology attitude. Urban gaze stayedas Flaneur is spying operation of desire and micro-power of the distance,it emphasizes the virtues of slowness and emptiness as an alternative toovercome. Flaneur of Ko jinha is the subject of religious spirituality withthe apocalyptic hopes suffered a paradoxical reality. That reflection on the reality of the Holy member, and the restoration of love and life is the finalpoint of the line of sight of spirituality reached ethics. So the eyes ofreligious spirituality through his divine core shows the ethics of correctiveeye to present a critical alternative proposition for the modern society. Walking glimpse of the city's desire to work with micro power inherentin the material and symbolic, critical to recognize it and dream of escape. Point to note here is the horizon of the ethics and politics of recognitionand reflection of the ‘unconscious of modernity’ dwelling in urban life. Thatis ethics and politics of the gaze modernology accurate representation ofthe three poets to show insight and critical observation, free and soberFlaneur is to include the specific recognition of modernity.