조선 후기 江湖歌辭의 지역적 분포와 전개 양상 - 전북 임실의 작품 「新基別曲」·「續新基別曲」을 중심으로 -

Abstract

In this study, 「Shinki-byeolkok」 and 「Sok Shinki-byeolkok」 which are Kanghokasa in Imsil, Jeollabuk-do was examined. Through this study, the significance of these work in the history of Kanghokasa was reviewed. Since 「Shinki-byeolkok」 and 「Sok Shinki-byeolkok」 was released to the academic community, no full-scale research has been conducted until now. In terms of content and expression, these two works inherit much of the characteristics of the traditional Kanghokasa while possessing their own characteristics. Therefore, in this study, according to the development of Kanghokasa, Shinki-byeolkok and Sok Shinki-byeolkok were examined, and the significance of the work as a regional literature was reviewed. As a result of the discussion, the literary historical positions of the two works can be summarized as the following two. First, the two works reflect that Kanghokasa was a means of expressing the identity of local writers. These works show the image of a more microscopically differentiated local community and the lives of local writers. In particular, it is connected to the literary tradition of the Honam region, where lyrics were created to enhance the image of the family. Second, the two works reflect the unique characteristics of the Imsil area. The work was described using traditional expression methods such as feng shui.This is different from other works of the same period that express inner conflicts and emotions.In conclusion, these works are very similar to the trend of the works of the early Joseon Dynasty. This seems to be because the Imsil community was relatively stable. Politically responding to the central power, the Imsil area seems to have had a solid position in its own way.