조지 나카시마 가구에 나타난 일본의 미학적 특성
Japanese Aesthetics on Furniture of George Nakashima
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George Nakashima (1905-1990) is a second-generation Japanese American who was one of the pioneers of the American Studio Furniture movement. Known for the use of natural timber shape of furniture design, Nakashima’s furniture shows the aesthetic characteristics of Japan, which distinguishes it from the furniture of other American studio designers. But Nakashima has been regarded as simply a studio furniture designer, designing furniture that takes its natural form. Therefore, research is needed from a more diverse point of view, and the process of interpreting the cultural backgrounds of a designer becoming a design may be an important subject of study. Thus, this study attempts to interpret the hierarchy of design cultures belonging to a studio designer and to identify cultural characteristics that are not apparent. Therefore, through a process of studying from visible to invisible levels of cultural hierarchy, the study analyzed the aesthetic characteristics of the Nakashima’s furniture, his personal experience of Japanese culture, and philosophical background.
Abstract
George Nakashima (1905-1990) is a second-generation Japanese American who was one of the pioneers of the American Studio Furniture movement. Known for the use of natural timber shape of furniture design, Nakashima’s furniture shows the aesthetic characteristics of Japan, which distinguishes it from the furniture of other American studio designers. But Nakashima has been regarded as simply a studio furniture designer, designing furniture that takes its natural form. Therefore, research is needed from a more diverse point of view, and the process of interpreting the cultural backgrounds of a designer becoming a design may be an important subject of study. Thus, this study attempts to interpret the hierarchy of design cultures belonging to a studio designer and to identify cultural characteristics that are not apparent. Therefore, through a process of studying from visible to invisible levels of cultural hierarchy, the study analyzed the aesthetic characteristics of the Nakashima’s furniture, his personal experience of Japanese culture, and philosophical background.
참고문헌 (9)
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- Geertz, Clifford, "The Interpretation of Cultures" (1973), Basic Books
- Kelsey, John, "George Nakashima: For Each Plant There’s One Perfect Use", Fine Woodworking, pp.40~46 (1979)
- Hepler, Paul Howard, "A Study of the Work Training and Craft Processes of a Contemporary American Wood Craftsman", Ed. D., pp.1969
- Juniper, Andrew, "Wabi sabi: the Japanese art of impermanence" (2003), Tuttle Publishig
- Nakashima, George, "The Soul of a Tree: A Woodworker’s Reflections", pp.58~ (1988), Kodansha
- Nakashima, Mira, "Nature Form & Spirit: The Life and Legacy of George Nakashima", pp.17~119 (2003)
- Yanagi, Soetsu, "The Unknown Craftsman: A Japanese Insight into Beauty" (1972), Kodansha