미국 현대 아트퍼니처의 전개양상에 관한 연구 - 1980년대 이후 제2세대 미국 가구디자이너를 중심으로 -
A Study on the Development of American Contemporary Art Furniture - Focusing on the Second Generation Since the 1980’s -
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Since the 1980s the development of American art furniture was embodied its concept by second-generation furniture artists affected and educated from the first generation that has implanted art furniture fundamental values. Besides, embracing inevitably needs of the new era going with the social change rather than dwell on the nature of mere handicraft era, it has evolved with economic revival in the United States, the attention and increased consumption of the public, and ongoing government-sponsored. And more recently, the American contemporary Art Furniture faces another change in the non-boundary phenomena between art and design. American art furniture since the 1980s are summarized as three major trends: Art furniture embellished with traditional hand-craft, Art furniture featured the individualistic avant-guard characteristic, Art furniture eroded the distinction between art and design. By analyzing focusing on the furniture artists and their works in contemporary art furniture deployment aspects since the 1980s, the purpose of this study can be utilized as a method to measure the forward direction, internationally competitive, creativity, and artistic value of the domestic art furniture.
Abstract
Since the 1980s the development of American art furniture was embodied its concept by second-generation furniture artists affected and educated from the first generation that has implanted art furniture fundamental values. Besides, embracing inevitably needs of the new era going with the social change rather than dwell on the nature of mere handicraft era, it has evolved with economic revival in the United States, the attention and increased consumption of the public, and ongoing government-sponsored. And more recently, the American contemporary Art Furniture faces another change in the non-boundary phenomena between art and design. American art furniture since the 1980s are summarized as three major trends: Art furniture embellished with traditional hand-craft, Art furniture featured the individualistic avant-guard characteristic, Art furniture eroded the distinction between art and design. By analyzing focusing on the furniture artists and their works in contemporary art furniture deployment aspects since the 1980s, the purpose of this study can be utilized as a method to measure the forward direction, internationally competitive, creativity, and artistic value of the domestic art furniture.
참고문헌 (13)
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- David, S., "Furniture with Soul: Master Woodworkers and Their Craft", pp.93~97 (2011), Kodansha International Ltd.
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- Edward. S. C. Jr., "The Maker’s Hand: American Studio Furniture, 1940-1990", pp.91~ (2003), MFA Publications
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- Janet, K., "Makers: A History of American Studio Craft" (2010), The University of North Carolina Press
- Janine, C., "Wendell Castle Rocin" (2010), Barry Friedman Ltd
- Oscar, P. F., "Studio Furniture of the Renwick Gallery", pp.19~20 (2007), Smithsonian American Art Museum in association with Fox Chapel Publishing
- Wendell, C., "The Wendell Castle Book of wood Lamination" (1980), Van Nostrand Reinhold Company
- 최병훈, "현대 아트퍼니처의 개념정립 및 전개에관한 연구", 12(2), pp.101~102 (2001), 한국가구학회
- 최병훈, "가구디자인에서 예술적 표현의 가치와 한계에 관한 연구: 팝 아트퍼니처를 중심으로", 13(3) (2002), 한국가구학회
- "But is it art" (2006)[URL]
