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커뮤낼리티(communality) 예술통합교육의 사례 및 특징

The Case of Arts Integration Program for Communality and Its Characteristics

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This article examines “communality,” the feeling of social identity based on a certain geographic area, in terms of education as well as the characteristics of the arts integration program for communality. Pursuing its goal, the article examines the arts integration program for communality run from 2015 to 2022 based on Kyeongsan City area. This arts integration program understands and attempts to form communality and personality through K(Knowing), D(Doing), and B(Being). Through the KDB, the students in the program formed their senses of “Eco” in themselves by knowing the geographical area where they live and doing artistic activities in the area where they live. Finally the effects of this program lead the students to making harmony with the environment in which they exist. According to the research, the arts integration program shows its characteristics as follows. First, the K(knowing) stage includes the information about the history, geography, and natural environment of the area. Second, the D(Doing) stage let the students explore the characteristics of the history and environment of the area. At the same time, the students express what they learned and felt through their dance. Third, the B(Being) stage includes the students’ contemplation and planning for the self. The members of the arts integration program based on the geographical area explore time and space in which they exist. Such an exploration makes new connections among individuals and environment. These new connections signify a new imagination that lets one rediscover himself or herself on a new horizon of life. The arts integration program for communality developed in Kyeongsan City area can lead a new trend of Cultural Arts Education in which geography, space, and time are combined to address the social problems in Korea. At the same time, it can revitalize various cultural resources in such a combination. Therefore, such a “communality-arts integration program” should be considered as a very important affair of the cultural arts education in Korea.

Abstract

This article examines “communality,” the feeling of social identity based on a certain geographic area, in terms of education as well as the characteristics of the arts integration program for communality. Pursuing its goal, the article examines the arts integration program for communality run from 2015 to 2022 based on Kyeongsan City area. This arts integration program understands and attempts to form communality and personality through K(Knowing), D(Doing), and B(Being). Through the KDB, the students in the program formed their senses of “Eco” in themselves by knowing the geographical area where they live and doing artistic activities in the area where they live. Finally the effects of this program lead the students to making harmony with the environment in which they exist. According to the research, the arts integration program shows its characteristics as follows. First, the K(knowing) stage includes the information about the history, geography, and natural environment of the area. Second, the D(Doing) stage let the students explore the characteristics of the history and environment of the area. At the same time, the students express what they learned and felt through their dance. Third, the B(Being) stage includes the students’ contemplation and planning for the self. The members of the arts integration program based on the geographical area explore time and space in which they exist. Such an exploration makes new connections among individuals and environment. These new connections signify a new imagination that lets one rediscover himself or herself on a new horizon of life. The arts integration program for communality developed in Kyeongsan City area can lead a new trend of Cultural Arts Education in which geography, space, and time are combined to address the social problems in Korea. At the same time, it can revitalize various cultural resources in such a combination. Therefore, such a “communality-arts integration program” should be considered as a very important affair of the cultural arts education in Korea.

참고문헌 (11)

  1. 부산대학교 한국민족문화연구소, "장소경험과 로컬 정체성" (2013), 소명출판
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  3. Drake, Susan, M., "통합 교육과정 개발과 평가의 기초" (2007), 교육과학사
  4. Yi-Fu Tuan, "공간과 장소" (2020), 사이
  5. 김성환, "공간에서 다시 장소로: 근현대 공간론의 한 가지 흐름", 철학탐구, 56, pp.29~54 (2019), 중앙철학연구소[DOI]
  6. 노승환, "문학, 음악, 연극 중심의 중학교 문화예술교육 통합 프로그램 적용 효과 분석", 문화예술교육연구, 13(6), pp.1~31 (2018), 한국문화교육학회[DOI]
  7. 오레지나, "커뮤낼리티communality를 위한 예술통합교육 프로그램의개발 방향", 한국무용교육학회지, 29(4), pp.3~13 (2018), 한국무용교육학회[DOI]
  8. 오레지나, "몸성性교육의 본원성 탐색", 한국무용교육학회지, 33(3), pp.5~15 (2022), 한국무용교육학회
  9. 이주영, "커뮤니티 댄스 사례를 통해 본 지리적 커뮤니티 특징", 석사, pp.2016
  10. 임병조, "포스트모던 시대에 적합한 지역 개념의 모색: 동일성(identity) 개념을 중심으로", 대한지리학회지, 42(4), pp.582~600 (2007), 대한지리학회
  11. 정지웅, "지역사회 종합연구", pp.11~26 (2005), 교육과학사

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