조선후기 대장편소설 변모의 한 국면 연구

Abstract

This article is a review of the inserted poem and the source of the poem appearing in 『Myunghaengjeonguirok』. The author of 『Myunghaengjeonguirok』 selected poems from various books and presented them as if they were written by a character. The sources of the inserted poems varied. The sources were 『Myeongsijong明詩綜』, 『Sandangsago山堂肆考』, 『Ansanji 雁山志』, 『Sajosi 四朝詩』, 『anjasicheob 雁字詩帖』, 『samunlyuchw i事文類聚』, 『yeongamyuham 淵鑑類函』, 『mogchaejohagjib 牧齋初學集』, 『mogjaeyuhagjib 牧齋有學集』, etc. The transformation of Sagas in the late Joseon Dynasty, which is confirmed through the diversity and bias of sources, is as follows. First, it showed the aspect of demanding literary knowledge to enjoy Chinese poetry from women. Second, Chinese poetry was presented as a major means of promoting family harmony. Third, by promoting an in-depth understanding of Chinese poetry, the understanding of female readers was increased. There are two reasons for this transformation. First, a writer who was well versed in Chinese poetry and Chinese novels started to create Sagas. Second, the image of women has changed, and accordingly, readers’ expectations of Sagas have changed.