<海客琴樽第二圖 題辭> 제작 과정

Abstract

Haegaekgeumjunjeido is a painting that depicts a group of people appreciating Sehando(歲寒圖) by Chusa(秋史) Kim Jeong-hee(金正喜), which means it's just natural that the two paintings are exactly the same in the date, place and people of the appreciation. It's very interesting to notice that just like Sehando was mounted on a scroll with 16 individuals' jesa(題辭), Haegaekgeumjunjeido was also mounted on a scroll with 23 individuals' jesa. This study set out to focus on the "jesa" of Haegaekgeumjunjeido and investigate its making process and traces. The findings can be summarized as follows： Haegaekgeumjunjeido had total 23 individuals' jesas added. In 1861, Jang Yo-son(張曜孫) gathered them together and mounted the painting on a scroll before sending Haegaekgeumjunjeido Gwon(券) to Lee Sang-jeok(李尙迪) in Chosun(朝鮮). There is no information about its traces since then. It's also interesting to see that Lee's acquaintances in Qing Dynasty(淸朝) showed more interest in Haegaekgeumjunjeido judging from more records left by them although there is no assuring the argument. It suggests they must have placed huge significance on exchanging with Lee of Chosun. They might have shared interest with him, who put more significance on his relationships with them than the superficial aspects of the country over his 12 envoy missions to the country.