<조선농민사>와 <카프> 농민문학론의 창작 주체와 방법 연구

Abstract

In this paper, Concretely, it tries to talk that it considers about the Subject and Method of Creation in theories about Peasant Literature of ‘Chosun Nongminsa’ and ‘KAPF’. And these relate closely because of giving the peasant poetry for example. As to ‘Chosun Nongminsa’ Peasant Literary Theory at first, the Subject of the Creation was the intellectual literary man. At the time of 1920's in the above Illiteracy Rate 80% the thing of thought is no problem. After ‘Chosun Nongminsa’ is recognized admitting the intellectual literary man or peasant. Afterward it admits only the peasant as the Subject of Creation in the Peasant Poetry. On the other hand, the ‘KAPF’ Peasant Literary Theory did firstly the intellectual literary man about Subject of Creation and had to guide the peasant writer. Heo Munil who was the peasant as the Subject of Creation that did the creative activity around ‘Chosun Nongminsa’. In the creating Method, it used the daily life poetic language of the peasant. It used the honorific ending sentence expressing the feeling of solidarity with peasant was used. And the early stage modern poetry form was accommodated and the form of (Dansi) in which 1 stanza of 1 line becomes one poem as the form of free verse was shown. On the other hand, Park Aji was the ‘KAPF’ member and the intellectual literary man as the Subject of Creation. He was firstly injected the ideology injection by the Method of Creation. and he was used the ideological poetic language and the end of a sentence expressing the leadership was used. He was the form of free verse showing the literary accomplishments of the intellectual accommodated and he was it can deliver the ideology well it showed the form series of poetry(Yeonjaksi) shown. Therefore, we could know from the Peasant Poetry of the peasant poet Heo Munil and intellectual poet Park Aji to be changed according to the Subject of Creation till Method of Creation. The Subject and Methods of Creation have been continuing as two kind of tendency into the contemporarily reality-oriented poetry. This can do in being the importance of the this paper.