조선적 환멸과 환상 해체의 방법론- 박영희 초기 문학 담론에 나타난 자기 구성의 문제 -

Abstract

The first half of the 1920’s, Kim Gi Jin and Park Young Hee, who was the leading part in the korean proletarian literature, quated and referred Russian literature to establish their own territory – differentiate the concept of modern literary between the concept of proletarian literature. Quotations and references was important and useful method of writing for them to make the outline and direction of Korean “new” proletarian literature. Specially, they noticed Chekhov's literature at the same time. Chekhov's literature was a symbol of the age of disillusionment, Russia in the 1880’s. In this symbol, Kim Gi Jin preferred the sense of loneliness and disilusion, but Park Young Hee preferred the sense of Passion and entusiasm towards a new life. Over the years of 1924, Kim Gi Jin felt even more deeply disillusion to the korean people. It means thath he has full confidence of the historical mission of intellecuals. On the other hand, Park Young Hee criticized some of these artist and intellectiuals, who lost the sene of acuality or reality. It was possible due to Park’s aggressively an effort to discovering the sense of acuality, in this real world, to the Chekhov’s disillusionment. This sense was found in the Park’s novel, 「The night before the Wedding day」, 「love elegy」, 「a double-patient」, writed in 1924. The sense of acuality, in this real world, was the only thing that Park’s early part of the Proretarian literary theory.