蘇軾의 詩書畵論이 高麗에 미친 영향에 대한 고찰

Abstract

This article is about a study on the features of Sush's theory of Poem-Writing-Painting who is still admired as the best in Song dynasty in terms of Poem-Writing-Painting by the critics from the west, east, old age and contemporary age and showed unrivalled achievement and also on the trend how Goryeo people accepted and practiced his theory. The age of Song dynasty in which Sush lived was the era that advocated ‘the Idea for Civil Administration’, so that it was the age that was prevailed by the character of ‘Sangeui (尙意: Respecting the Idea)’ that upgraded the literary men’s own unique personality, will and character to the art. In addition, this age showed such looks as mutual penetration of Confucianism, Buddhism and Taoism based ideas, spread of Zen Learning and mutual mixing of poem, writing and painting. As a result, this age naturally created the thoughts that appreciated the integration of literary men’s painting and poem placing the poem and painting on the same level. Thus, the painting belonging only to professional artists was accepted into Yeogi (餘技: hobbies) of the gentry community; and then began to be created as the gentry people’s own cultural enjoyment; and finally, the Theory for Uniformity of Poem, Writing and Painting was presented. The Theory for Uniformity of Poem, Writing and Painting was earnestly advocated and practiced by Sush who claimed that the artistic value was closely related with the individual author's own personality. Such theory of art of his has a big significance in the history of Chinese literature, word-writing and painting ideas in the aspect that such theory was formed by going through the artistic spirit dwelling in Chinese genuine Poem-Writing-Painting at a constant axis. This idea of his did not only play an important role in the later Chinese culture but also tremendously influence Goryeo. Sush may have been an ultra-nationalist who had the viewpoint of anti-Goryeo in the diplomatic history between Song and Goryeo. The intellectuals of Goryeo, however, positively accepted his literatures and arts even with such an ultra-nationalism based works of his. For, he presented some goals and hopes to the Goryeo people by showing the intellectuals of Goryeo a good example in the art and life; forming their common response to his attitude that appreciated his life of hardship; and making them experience his artistic success through a number of his work-pieces. We can say that Goryeo people did not only accept and love his literatures and arts but also furthermore upgrade them to the artistic work-pieces that met Korean sense based on the inspiration they gained from his work-pieces. It is true that Goryeo made a big achievement and progress in Chinese literature and Writing-Painting. Nobody may deny it. It is also thought that Sush's influence cannot be ignored in such a big achievement and progress.