试论王蒙小说叙事角度的更迭及其艺术表现的内驱力

Abstract

Wangmeng is the representative of some authors who grew up after 1949. He was the minister of ministry of culture of China. His fictions are so influential that had been recommend to Nobel prize in literature. There are three parts in this thesis. First part study Wangmeng’s preceding writing with an narratology and determine his writing’s development venation: transition from all-knowing narrative aspect to Limited-knowing narrative aspect. This part also want to illuminate the changing’s influence in narrative results and artistic expressions. Second part indicate the new development track after 1978: from Limited -knowing narrative aspect return to all -knowing narrative aspect. It not only discuss the originality of Wangmeng’s writing with Limited-knowing narrative aspect, but also elucidate the closely connection between all-knowing narrative aspect and narrative effect of satire and humor. Third part Sought the inside power which prompted narrative aspect to evolue and point out An important reason that narrative aspect evolue is that the binary composition made up of poet temperament and revolutionary’s calmness oppose and coordinate.